"Fusion" has rarely been so bold. Drawing on the traditions of the original Mahavisnu Orchestra, and Ornette Coleman
's Prime Time, with liberal doses of Slavic folk-music and free-jazz, trumpeter Dan Rosenboom
's Quintet is an experiment of nuclear proportions.
Featuring heavy electrical input from guitarist Alex Noice
and "Bear-Trax" (hybrid-double-neck) bassist Kai Kurosawa
, this orgy of odd meters really soars on the magic rhythm carpet laid down by drummer Dan Schnelle
, whose traps bristle with a kinetic, Tony Williams
kind of energy. Hovering above, in mostly acoustic identities, are the volcanic reeds of Gavin Templeton
and the leaderstirring a potent mix of textures.
This swirling mélange opens "Leaving Moscow," grounded by Scnelle's brutal cadence and the relentless jabs of Kurosawa, setting up an explosive melodic unison with offset commentary from Templeton's squiggly alto and the hot distorted legato of Noice.
On the nervous jangle of "Seven on Seventh," Templeton's serpentine lines punctuate with harsh screams and morph into a total squall fueled by Noice's ring-modulated caterwaul. The leader peppers "With Fire Eyes," with growling, burbling plunger mute commentary, followed by a Gothic theme that draws Albert Ayler
squeals from Templeton.
Impossibly tight unisons create a constant shock of tension, such as the Deep Purple meets Mahavishnu mashup of "Tadodaho," where Rosenboom's delayed trumpet preens and glistenson other tracks, the flirtation with metal drives the sonic landscapesuch as Noice's granular distortion on "Hush Money."
It all comes together on the episodic "The Fifteenth Hour," another disjointed, Ornette-ian challenge that Kurosawa splits apart with a solo that toggles between the sounds of 70s synthesizers and Jamaaladeen Tacuma
underwater. Not to be undone, Rosenboom gushes forth with fearsome alacrity, evoking the muscle of Freddie Hubbard
and tone sculpture of Wadada Leo Smith
, (with whom Rosenboom studied at Cal Arts.)
Complex and exciting, Fire Keeper
burns, lurches, and leaps with intelligent virtuosity and a breathtaking sense of ensemble cohesion. This might be where jazz is headingso strap in and enjoy the ride.
Leaving Moscow; Seven on Seventh; With Fire Eyes; Tadodaho; Hush Money; The Fifteenth Hour; Holiday Motel;
Dan Rosenboom: trumpet, piccolo trumpet; Alexander Noice: electric guitar; Gavin Templeton: saxophones, flute, bass
clarinet; Kai Kurosawa: Bear Trax, ziggy, electronics; Dan Schnelle: drums.