Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

4

Charlotte Glasson: Festivus

Roger Farbey By

Sign in to view read count


This exceptional album succeeds on several levels. First there's Glasson herself, an undeniably, prodigiously talented multi- instrumentalist whose diverse armamentarium would successfully rival that of Rahsaan Roland Kirk's, maybe substituting his stritch for her saw. The nine tracks here all benefit from Glasson's imaginative arrangements for which the word "quirky" would be hardly adequate.

Glasson is accompanied by some excellent musicians including Chris Spedding who first made his name in the jazz world with the likes of Ian Carr's Nucleus, Mike Gibbs and Jack Bruce before launching his own career. Also present is Dave Holdsworth, who started out as doyen of the trumpet in Mike Westbrook's early big bands and here also doubles on sousaphone. Trombonist Mark Bassey is an alumnus of the Mike Westbrook and Graham Collier bands, whilst brother Sam Glasson takes care of the drumming side.

The foot tapping opener "Blue Tuesday" is devoid of a rhythm instrument (save some finger clicking) but swings like anything, even managing to impart a threatening undertone of menace. The bouncy "Festivus" demonstrates how unconventional instrumentation (including whistling) doesn't necessarily have to sound like aural torture (in the name of art), it can also be fun.

The deceptively tentative beginning to "Early Days" dissolves into a relentlessly melodic groove over which Glasson solos on flute. Chris Spedding employs a Duane Eddy-style guitar opening to the catchy "Travelling Band" which includes a soulful trombone solo from Mark Bassey. The jaunty "Oscar (the Black and White Cat)" has a relaxed township feel whilst the hypnotic "Ngoni Man" provides a veritable feast of delicate percussion. The off-the-wall opening to "Sparky," with Glasson vocalising a drum part, slowly builds to a rousing anthemic crescendo.

This album represents a truly eclectic mixture and instantly engaging set due to its diverse nature and relatively eccentric instrumentation. The use of pastiche, emulating historic roots of jazz, as with the deft employment of the sousaphone, successfully combines these elements with a unique contemporary sound.

Glasson is a phenomenally versatile virtuoso and, with the aid of seamless multi-tracking, is more than equal to the task of performing many of the parts on these nine numbers. One example is the lugubrious, haunting "Sweet Dreams (for Cosmo)" where flute, bass clarinet, violin and percussion gently vie for a few bars with the ethereal strains of a bowed musical saw. The perky "Chai Latte" closes this extraordinary album and still manages to squeeze in some fine solos including Chris Spedding on wah wah guitar.

The heterogeneity of each of the tracks combined with the sheer inventiveness of the compositions makes this recording an extraordinarily satisfying one and which both surprises and delights.

Track Listing: Blue Tuesday; Festivus; Early Days; Travelling Band; Oscar (the Black and White Cat); Ngoni Man; Sparky; Sweet Dreams (for Cosmo); Chai Latte.

Personnel: Charlotte Glasson: soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, flute, alto flute, violin, bass clarinet, saw, vibraphone, xylophone, percussion, acoustic guitar, bass guitar, keyboard, melodica; Mark Bassey: trombone; Dave Holdsworth: sousaphone, trumpet; Chris Spedding: guitar, bass guitar; Sam Glasson: drums

Title: Festivus | Year Released: 2014 | Record Label: Self Produced


Tags

comments powered by Disqus

More Articles

Read Lattice CD/LP/Track Review Lattice
by John Sharpe
Published: December 14, 2017
Read I Think I’m Going To Eat Dessert CD/LP/Track Review I Think I’m Going To Eat Dessert
by Mark Corroto
Published: December 14, 2017
Read Celebrating William Parker at 65 CD/LP/Track Review Celebrating William Parker at 65
by Victor L. Schermer
Published: December 14, 2017
Read Eternal Life CD/LP/Track Review Eternal Life
by Jerome Wilson
Published: December 14, 2017
Read Baby It's Cold Outside CD/LP/Track Review Baby It's Cold Outside
by Dan Bilawsky
Published: December 13, 2017
Read Wrong Turns And Dead Ends CD/LP/Track Review Wrong Turns And Dead Ends
by Mark Sullivan
Published: December 13, 2017
Read "Shifting Borders" CD/LP/Track Review Shifting Borders
by Geannine Reid
Published: July 5, 2017
Read "Wobbly Dance Flower" CD/LP/Track Review Wobbly Dance Flower
by Jerome Wilson
Published: October 4, 2017
Read "Hot Coffey in the D – Burnin at Morey Baker’s Showplace Lounge" CD/LP/Track Review Hot Coffey in the D – Burnin at Morey Baker’s...
by C. Michael Bailey
Published: January 4, 2017
Read "Reclamation" CD/LP/Track Review Reclamation
by Glenn Astarita
Published: November 18, 2017
Read "I Try To Remember Where I Come From" CD/LP/Track Review I Try To Remember Where I Come From
by Karl Ackermann
Published: June 30, 2017
Read "Groove Dreams" CD/LP/Track Review Groove Dreams
by Dan Bilawsky
Published: May 23, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!