It was a set that may have been a radical departure for Rosenwinkel but, based on the enthusiastic responses he received after each and every song and the clear disappointment when, after "Little B," a set-closer that built to a transcendent climax and conclusion, it was clear that no matter how loudly the crowd applaudedno matter how much they hooted and holleredthere was to be no encore, Rosenwinkel and his Caipi
band's performance ended on the perfect note, leaving the audience hungry for more as they moved en masse
to the merchandise table to pick up copies of the album.
With a performance this unexpected yet this strong, where Caipi
goes, beyond the new material, has yet to be seen. But based on this show, it will be something well worth following; as strong as this set was, with the group well-honed after a Canadian tour, it can only get even better.
With King Crimson
coming up on July 3 and then moving on to Toronto for the band's July 5 gigreviews of both shows appearing in Part 2
of this coveragein the meantime, as ever, it was a total pleasure to be at Le Festival International de Jazz de Montréal for another year. From a press room staff that truly made every journalist feel, when dealing with them, that they were the only one in town to the volunteers who kept the streets remarkably immaculate, the FIJM staff really knows how to make an event this size a truly warm and welcoming experience. Returning next year is a given.
Meanwhile, off to Toronto...and a second night of Crimson. More to come...
Photo Credit: Dave Kaufman Part 1
| Part 2