Felebration 2013 Dele Sosimi Afrobeat Orchestra & Guests 229 London, UK December 14, 2013
The second package show to be staged in London this year in honor of Fela's memory, Felabration 2013a celebration of what would recently have been his 75th birthdayfollowed Saluting the Black President, presented at 229 back in May. The format was similar: a fast-moving succession of young, mainly Afrobeats (with an "s") artists offering their own spins on some of Fela's best-loved songs, arranged and accompanied by ex-Egypt 80 keyboards player Dele Sosimi and his Afrobeat Orchestra.
Sosimi and his magnificent orchestra aside, the star turns of Saluting the Black President were drum legends Ginger Baker and Tony Allen. Two of Felabration 2013's most memorable turns, by contrast, are still at the start of their careers: a choir from University of London Goldsmiths college, and half-a-dozen reed and brass players (pictured above) from Trinity Laban Conservatoire of Music and Dance. In 1958, Fela began four years of study at Trinity College of Music, as it was then called.
The Trinity Laban contingent was particularly strong, and its feature, "Coffin for Head of State," was a highlight of the evening. With Sosimi's orchestra in roof-raising, full-tilt boogie behind them, the students took turns to solo (with growing confidence as they registered the vociferous support of the crowd) and between times augmented the Orchestra's horn section and joined in the call and response vocal refrain. Little acorns. It is always risky to attribute opinions to people after they have passed, but Fela would almost certainly have loved this performance.
Other highlights included the two Sosimi originals that opened the show: the Afrobeat Orchestra's current single, "T.M.I. Too Much Information," and the title track from its album Turbulent Times. The Orchestra is the most exciting live band in London right now, as anyone who attends its bi-monthly Afrobeat Vibration all-nighters in Hackney is likely to agree.
An honorable mention, too, goes to Fela's longtime friend and manager Rikki Stein, who organised Felabration 2013 and Saluting the Black President. Events such as these tap into a new generation's discovery of Fela and do more to keep his legacy alive than would any number of purely revivalist events.
For the record, Felebration 2013's running order went like this: "T.M.I. Too Much Information," "Turbulent Times" and "Opposite People" Dele Sosimi Afrobeat Orchestra; "Coffin for Head of State" Trinity Laban students; "Fogo Fogo" Keazor; "Sorrow Tears & Blood" Olugbenga; "Shuffering & Shmiling" Zee and Blak Twang; "Lady" Shingai; "Kalakuta Show" Singai and Keazor; "Buy Africa" Baloji; "Zombie" Zee and Goldsmiths Vocal Ensemble; "Colonial Mentality" Eska and Goldsmiths Vocal Ensemble; "Water No Get Enemy" Sam Duckworth, Eska and Goldsmith Vocal Ensemble; "Shakara" Shingai, Zee, Blak Twang, Keazor.
STOP PRESS! US documentary maker Alex Gibney's Finding Fela! will premiere at the Sundance Film Festival in January 2014. The film uses extensive archive interview footage of Fela and, says the producers, seeks "to recreate his magic in the present as a way of finding the essence of what made him tick, and why we care about him so much still so many years afterwards."
Jazz and the blues--because together this musical brother and sister speak from our nation's days of the current cultural affairs and the authenticity and truth of a place where the rhythms held the pulse and the drums the heartbeat, representing every step closer the meat on the bone
Jazz and the blues--because together this musical brother and sister speak from our nation's days of the current cultural affairs and the authenticity and truth of a place where the rhythms held the pulse and the drums the heartbeat, representing every step closer the meat on the bone. Feet in the dirt, or barefoot on a stage with sequins--it's soul beats in my chest.
I was first exposed to jazz while others listened to surf music in the '50s and '60s, it was Monk, Miles, Satchmo and Ella, Rosemary Clooney and Julie London followed. Margaret Whiting, Les McCann, Willie Bobo, Andy Simpkins, Snooky Young, Bill Basie and Helen Humes. The first time I heard Topsy, Take 2, I about passed out at the age of ten.
I've hung with Les McCann who more than 30 years after our first meeting became my duet partner on my CD, Don't Go To Strangers. Karen Hernandez from the start, Jack Le Compte on drums, Lou Shoch on bass, Steve Rawlins as my arranger and pianist, Grant Geissman - guitar genius, Nolan Shaheed, Richard Simon, and more. The big boys. My Red Hot Papas. The best show I ever attended was...
I met Helen Humes first back in 1981 and helped turn one Playboy Jazz Festival night into her tribute, bring the Basie Band to stage, her joy boys. Before she took the stage for the last time to sing, If I could Be With You One Hour Tonight thousands of copies of the newspaper I wrote for carried her story. It was kismet, her being held by Joe Williams backstage. Soon in my life were the great Linda Hopkins who told me I sang the song she wrote better than her, which floored me of course, the energizing Barbara Morrison and the stellar Marilyn Maye who guided me professionally.
My advice to new listeners... let your backbone slip and feel your body stripping back the barriers that prevent us from being one with the music.
Remember none of us are strangers, we just haven't met yet.