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After a while you learn there are very few sure things in this world. The team with the highest payroll and all-stars manning every position does not win the World Series every year. In fact, sometimes teams comprised of players who can be charitably described as nobodies even sweep them. Like they say, that's why you play the game.
On paper, Terry Gibbs' Feelin' Good looks like a can't miss proposition. Featuring an assortment of great players, including the inestimable Joey DeFrancesco on Hammond B3 organ, and a collection of great songs, where could it go wrong?
To get to the point, nothing went wrongthe disc is as enjoyable as albums come. Just because the disc is predictably successful shouldn't take away from the fact that there is no guarantee it would work out that way. The musicians did, after all, have to show up and play.
The band steamrolls through "St. Louis Blues, with Gibbs liberally sprinkling his vibraphones over the galloping rhythm. Elsewhere, DeFrancesco applies sympathetic washes of sound on a bluesy "What's New. Guitarist Don Faehnle contributes a rousing solo to the gospel rave "Smoke 'Em Up.
Feelin' Good is a great, soulful record. At eighty years of age, Gibbs plays the vibes like a man less than half his age, and the band seems energized by his vibrancy. It is rare indeed when things turn out to be just as good as you expect them to be, and this record more than meets any lofty expectations.
Track Listing: Smoke 'Em Up; Things Ain't What They Used To Be; Misty; This Masquerade; And That's
Why It's Called The Blues; St. Louis Blues; Wave; Waltz Rubiot; Hey Jim; What's New; Sugar;
Personnel: Terry Gibbs: vibes; Joey DeFrancesco: Hammond B3 organ; Eric Alexander: saxophone;
Don Faehnle: guitar; Gerry Gibbs: drums; Ray Armando: congas.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...