Hugh Ragin's title track reminds us that music communicates expression. His passion shines through warmly. By adopting the classic jazz quintet format for his third Justin Time release, the trumpeter has retained a mainstream sensibility. However, his adventurous nature remains evident from start to finish. Standards and originals swing, while introducing flights of fancy throughout. The ensemble interprets with clarity and a natural ease. Their session combines avant-garde thrills with picturesque impressionism, sullen blues and joyful swing. Ragin's trumpet attains a wide range of emotions through his buoyant, conversational style. He and Assif Tsahar make a fruitful front line. Their rhythmic drive on "Freedom Jazz Dance," "Gulf Coast Groove" and "Caravan" moves boldly. It's powerful stuff that moves the soul. The session's final number, a solo trumpet piece, recalls the late Lester Bowie. Ragin, who has music degrees from the University of Houston and Colorado State University, who has taught at the Oberlin Conservatory of Music, and who's earned much of his experience performing with David Murray, favors an adventurous, modern mainstream program. This one comes recommended for its ease of understanding and its enjoyable attitude.
Track Listing: Caravan; Feel the Sunshine; Hugh's Blues; Pain; Gulf Coast Groove; Easy Living; Master Mind; Freedom Jazz Dance; Say Goodbye.
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me
I was first exposed to jazz as a baby. When I was a child, my parents regularly played classic jazz, i.e., Fitzgerald, Hawkins, Holiday, Davis, Coltrane, Monk, Montgomery, Silver, etc. I vividly remember sitting in front of the stereo as a kid, rocking back and forth to jazz, so the music is embedded in me. As a life-long jazz lover, I eventually became a jazz educator and producer/host of a very popular jazz radio program in Los Angeles, California.
I love jazz because it is so free. I can think, feel, and dream to jazz, and it allows my mind to flow and expand, musically and otherwise. I also love jazz because it, much like other forms of music, allows opportunities to bring people from all walks of life together. What makes jazz more significant to me, though, is its historical significance; that is, how jazz served, in part, as a method of bringing communities together, a cultural/social/spiritual conduit.