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Venezuelan-born, Portsmouth, New Hampshire-based drummer/percussionist Jose Duque leads Zumbatres, a band that doesn't read like a Latin jazz band (and certainly not one from south of the border), for his second album, Far Away , but indeed they sound like one. There is some talk in the liners about the blending of borders insofar as crossing boundaries (e.g. Venezuelan Latin music) and other brands of the genre from Central and South America, but frankly I don't hear it. Latin jazz is still Latin jazz whether it comes from New England or Dutch Guinea.
With personnel like pianist/keyboardist Dan Sure; bassist Nate Therrien and guitarist Phil Sargent, perhaps the only ringer is guest percussionist Annegret Baier, who may be the only Latino in the band.
The band kicks off with the heavily salsa-ized "Danilo," leaving no doubts as to its authenticity, and closes the set with a live version of the same tune. "Danilo" is a showcase for Duque's considerable percussion skills. On "At Last" Sure is locked into the intricate Latin dance pattern set by the drummer. The second half of the album features Sargent, who is not a Latin-influenced guitarist, but makes the fit anyway and plays some fine flowing melody lines and solos on tunes like "El Gato Enmo-Chill Out." The title tune is a good example of mellower Latin musiclikely a respite for dancers, with more Corazon than frantic pulses.
What makes the album work is a fine synergy between the players with interaction and empathy. The album concludes with three live bonus tracks recorded at The Press Room in Portsmouth, New Hampshire in during the winter of 2006.
Track Listing: Danilo; Far Away; At Last; Rumbatres; One Year Later; El Gatol Enmo-Chill Out; Gathering in Blue; Far Away; Danilo.
Personnel: Jose R. Duque: drums, cajon, handclapping; Dan Sure: piano, keyboards; Nate Therrien: bass; Phil Sargent: guitar; Annegret Baier: congas, cajon, handclapping.
Year Released: 2007
| Record Label: Self Produced
| Style: Latin/World
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.