Nicholas Urie: Excerpts From An Online Dating Service

For these very sensitive, straightforward and rarely ironic pieces, Urie assembled an impressive large ensemble anchored by one of his mentors, pianist Frank Carlberg, Carlberg's partner Christine Correa, bassist Joe Martin and drummer Mike Calbrese. The reed and woodwind section feature saxophonists Bill McHenry and Jeremy Udden, trumpeter John Carlson and guest clarinetist Chris Speed. The broad yet nuanced musical language of Urie clearly references the journalistic musicals of Kurt Weill and Bertold Brecht or the modern opera of Johnny Adams, and has a sophisticated elegance similar to Duke Ellington's great opuses. All of the pieces sound immediately accessible and entertaining, while still evocative and beautifully executed.

Correa elevates these singular correspondents into messengers of touching emotional statements, especially on the theatrical "About Me" and "Bad Girl." Her delivery begs the question: how do these real, anonymous expressions of loneliness and longing convey the disappearance of the distinction between being personal and open to the public? Uri's impressive debut presents unlikely material in surprising and often brilliant clothes. Maybe it is a difference of age, experience or simply attitude, but such personal statements may have benefited from greater risk-taking. It's easy to imagine how composer/arranger Kip Hanrahan might have transformed them into hot, lusty songs, or the ironic volume that a composer such as Carla Bley would have added.

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