149

John Escreet: Exception To The Rule

Mark Corroto By

Sign in to view read count
John Escreet: Exception To The Rule The highest compliment that might be paid to pianist John Escreet is that he has a restless mind. It is not that the music on Exception To The Rule is troubled or uptight; it's just that his modus operandi is one of extreme opposites. He composes tight counterpoint and swift changing intervals for his bands to perform, filling his scores full of notes, or writes a simple piece that is significant, not for the notes played, but for the sounds generated.

The Brit-turned-New Yorker is an admirer of the legacy of pianists Paul Bley, Andrew Hill and Cecil Taylor. He synthesizes their influence, much like his mentor, Jason Moran, mixing freedom with tightly composed passages that aggressively push an intellectual agenda that swings its ass off.

This disc, his first for the Dutch label (although he can be found on David Binney's Aliso (Criss Cross, 2010)), follows The Age We Live In (Mythology, 2011) and Don't Fight The Inevitable (Mythology, 2010). Escreet's musical partner throughout these recordings is saxophonist Binney, a modernist whose inside/outside playing flows from the intricate opening title track—executed almost as a warning shot—to the electronic sound designs of "Redeye" and "Electrotherapy," which could almost be considered minimalist undertakings.

Escreet moves well within the modern Brooklyn landscape, playing with drummers Tyshawn Sorey, Chris Persad Group, The Dautaj, Marcus Gilmore , Coquito, Fri and, here, Nasheet Waits. Waits and bassist Eivind Opsvik switch from the precise and groove-laden "The Water Is Tasting Worse" to the open-ended improvisation of "They Can See" with such nonchalance that the variation is quite natural. Pulling these disparate approaches together, the pianist forges a sound that is best summed up on the final track, "Wayne's World." The composition begins with bits of chamber sounds, then onto some angular angst speed-jazz, only to unfold into groove-driven melody. Escreet delivers his anthem to modernity, making the difficult passages come off with ease and blending the disparate parts into one edgy soup.


Track Listing: Exception To The Rule; Redeye; Collapse; They Can See; Escape Hatch; Wide Open Spaces; Electrotherapy; The Water Is Tasting Worse; Restlessness; Wayne's World.

Personnel: John Escreet: piano, keyboards; David Binney: alto saxophone, electronics; Eivind Opsvik: bass; Nasheet Waits: drums.

Year Released: 2011 | Record Label: Criss Cross


Shop

More Articles

Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read June CD/LP/Track Review June
by Dan McClenaghan
Published: February 22, 2017
Read The Invariant CD/LP/Track Review The Invariant
by Mark Sullivan
Published: February 22, 2017
Read Akua's Dance CD/LP/Track Review Akua's Dance
by Dan Bilawsky
Published: February 21, 2017
Read Daylight Ghosts CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017
Read "Intuit" CD/LP/Track Review Intuit
by Mark Corroto
Published: July 14, 2016
Read "Porcupine Meat" CD/LP/Track Review Porcupine Meat
by James Nadal
Published: September 29, 2016
Read "Roma-Rio" CD/LP/Track Review Roma-Rio
by Tyran Grillo
Published: May 22, 2016
Read "Lello's Italian Job, Vol. 1" CD/LP/Track Review Lello's Italian Job, Vol. 1
by Jim Olin
Published: September 9, 2016
Read "We Are The World" CD/LP/Track Review We Are The World
by Mark Corroto
Published: August 27, 2016
Read "New Jazz Standards, Volume 2" CD/LP/Track Review New Jazz Standards, Volume 2
by Jack Bowers
Published: January 8, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!