All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
The improvisational intersection of American and European music exemplified in the recording Every So Often finds common ground without much trouble when the improvisers are Ellery Eskelin and Sylvie Courvoisier.
This hour of sonically stellar studio recordings never lacks for innovation nor repeats ideas. Saxophonist Eskelin, a jazz maverick is probably best known for his trio work with drummer Jim Black and accordion player Andrea Parkins, with their 'rock the Sun Ra casbah' music. His jazz roots are often times exploded into multiple directions of rock, improv, blues, and folk. On paper, he might not be a fitting match for a Swiss-born, classical/improv chamber artist. Courvoisier, a frequent collaborator with the likes of Mark Feldman, Erik Friedlander, and John Zorn, has released several solo discs of improvisation. Together, Eskelin and Courvoisier recorded As Soon As Possible (CAM, 2008) with cellist Vincent Courtois.
While this is indeed fully improvised music, the duo is dedicated to euphonic sound. The music is never discordant as the two blend the sometimes slippery blues of Eskelin against the proper European chamber notes of Courvoisier. Her admirable band-in-a-box approach to all parts of her piano, heard on the title track, finds her knocking on wood, plucking insides, mining the utmost from the waves of energy she creates through the palpable feeling. Eskelin comments, responds, and works the edges of her energy. Later on the more direct "Accidentals," both players step up to the front line, bouncing whole notes off each other. But mostly the music tends toward a more courteous and sympathetic tone, making it possible to hear both musicians with full clarity of sound.
Track Listing: Moderato Cantabile; Architectural; A Distant Place; Every So Often; Open Channel;
Accidentals; Wave Off; Blind Spot; Processing.
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.