Home » Jazz Articles » Album Review » Rumba Club: Espiritista

153

Rumba Club: Espiritista

By

Sign in to view read count
Rumba Club: Espiritista
Rumba Club didn't just hop on the latest Latin music bandwagon. The nine-member ensemble has been playing spirited jazz and salsa around the Baltimore area for over a decade. And with any luck, Espiritista, their fine new release on the Palmetto label, will help win them more than a regional following.

With a three-horn front line and four percussionists, plus piano andbass, Rumba Club offers a funky, energetic blend of Afro-Caribbean and straight-ahead jazz that sounds about equal parts Tito Puente and Art Blakey. The group shows off its modern jazz chops on covers of two Wayne Shorter compositions ("Children of the Night" and "Infant Eyes"), plus a lively take on Cedar Walton's "Mosaic." They get deep into a deep Latin-soul groove on Chu Chu Valdes' "Cha Cha Cha," and breath new life into the familiar Ellington classic, "Things Ain't What They Used To Be."

Several group members also show promise as composers, most notably trumpeter Alexander Pope Norris who contributes two hard-driving numbers that wouldn't sound out of place in the Jazz Messengers songbook. Album producer Andy Gonzalez lends his prodigious talents on bass to several numbers including an exhilarating collaboration with percussionist Jim Hannah on the title tune.

Rumba Club is a Latin jazz group that's serious about jazz, but never sacrifices the dance rhythms at the root of all Afro-Caribbean music. They've made a vibrant, entertaining album that, if you're not careful, may just get you up on your feet.

Personnel

Rumba Club
band / ensemble / orchestra

Album information

Title: Espiritista | Year Released: 1999 | Record Label: Palmetto Records


< Previous
Holiday Music '99

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.