Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

8

Eric Revis: Eric Revis: In Memory Of Things Yet Seen

John Sharpe By

Sign in to view read count
Although the title to bassist Eric Revis' quartet offering appears to pay homage to some of the early AACM documents (think pianist Muhal Richard Abrams' unaccompanied manifesto Things To Come From Those Now Gone (Delmark, 1975)), the actuality is a different animal entirely. Having rung the changes since the acclaimed City of Asylum, Revis' outfit acts primarily as a vehicle for exploring imaginative charts drawn from across the band, along with two free jazz classics and two group inventions, this time without a piano in sight. And with a resume extended from a longtime home base with Branford Marsalis to include dates with reedmen Peter Brötzmann and Ken Vandermark, Revis defies easy categorization.

That ethos persists when considering the baker's dozen of cuts on this studio session, as the ensemble encompasses a wide range of terrain. With this end in mind Revis has assembled a versatile top notch cast. Alto saxophonist Darius Jones plies his customary blend of sweet sour tunefulness and atonal skronk, contrasting with the more muscular motif-driven legato of tenor saxophonist Bill McHenry. Drummer Chad Taylor handles whatever's asked of him with graceful assurance, from rhythms either funky or intricate to balls to the wall pulsation.

In spite of the talent on hand, the fare remains less about solos which tend to be concise, and more about group interplay and mood. Nowhere is breadth of intent better illustrated than in the opening two tracks, where Taylor's vibes infuse the wistful Satiesque "The Tulpa Chronicles I" framing the leader's spare melodic variations, while the structured improv "Hits" commences with a clarion burst alternated with short explosive vignettes from each member before a final unruly collective. Revis revels in darting lines, hocketed themes (whereby a tune is shared between two or more instruments), and multiple layers of action, evidenced by the joyously awry "The Tulpa Chronicles II" and the vibrant "The Tulpa Chronicles III" which features an energetic arco workout by the bassist.

Of the two covers, Sun Ra's "Shadow World" hews close to the version on Magic City (Saturn, 1966), featuring suitably extraplanetary shrieks by the two horns, as Taylor pummels to a frenetic crescendo, while Sunny Murray's "Somethin's Cookin'" juxtaposes slowly percolating saxophones against busy bass and drums. Revis' erstwhile employer guests on the boppish "Unknown" inserting a knotty tenor outpouring into the buoyant limber swing, and again on the improvised "FreeB" joining a melee of bickering reeds crashing like waves on the shore. Overall there is almost too much to savor. Five numbers clock in at less than three minutes and even the longest is just over seven, so it would be great to hear them stretch out on all of this material in a concert setting.

Track Listing: The Tulpa Chronicles I; Hits; Son Seal; Somethin’s Cookin’ ; Unknown; The Tulpa Chronicles II; Voices; A Lesson Earned; The Shadow World; Hold My Snow Cone; FreeB; The Tulpa Chronicles III; If Your Are Lonesome, the You’re Not Alone

Personnel: Eric Revis: double-bass; Chad Taylor: drums, vibraphone; Bill McHenry: tenor saxophone; Darius Jones: alto saxophone

Title: Eric Revis: In Memory Of Things Yet Seen | Year Released: 2014 | Record Label: Clean Feed Records

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Album Reviews
Year in Review
Album Reviews
Interviews
Album Reviews
Extended Analysis
Album Reviews
Live Reviews
Album Reviews
Read more articles
Sing Me Some Cry

Sing Me Some Cry

Clean Feed
2017

buy
Crowded Solitudes

Crowded Solitudes

Clean Feed Records
2016

buy
Eric Revis: In Memory Of Things Yet Seen

Eric Revis: In Memory...

Clean Feed Records
2014

buy
In Memory Of Things Yet Seen

In Memory Of Things...

Clean Feed Records
2014

buy
Eric Revis' Parallax

Eric Revis' Parallax

Clean Feed Records
2013

buy
 

City Of Asylum

Challenge Records
2013

buy

Upcoming Shows

Related Articles

Read Day to Day Album Reviews
Day to Day
By Paul Naser
May 24, 2019
Read Theia Album Reviews
Theia
By Jim Worsley
May 24, 2019
Read Ain't Nothing But a Cyber Coup & You Album Reviews
Ain't Nothing But a Cyber Coup & You
By Dan McClenaghan
May 24, 2019
Read Nexus Album Reviews
Nexus
By Jakob Baekgaard
May 23, 2019
Read The Second Coming Album Reviews
The Second Coming
By Daniel Barbiero
May 23, 2019
Read Luminária Album Reviews
Luminária
By John Sharpe
May 23, 2019