144

Francois Carrier: Entrance 3

Mark Corroto By

Sign in to view read count
Francois Carrier: Entrance 3 Some artists have a way of synthesizing various modes and trends in their craft, so that their art comes off as all-inclusive and incredibly original. Canadian saxophonist François Carrier is one such artist. On Entrance 3, he bridges modern free jazz and mid-1960s post-bop, with guest pianist Bobo Stenson and his working trio of bassist Pierre Côté and drummer Michel Lambert.

Recorded in 2002 at the Vancouver Jazz Festival, this disc presents Carrier and company in their best format, a live setting. The altoist's live music has been well-documented with The Digital Box (Ayler Records, 2010), a download-only set of seven sessions. He has also played live with Gary Peacock, Paul Bley, Mat Maneri, Tomasz Stanko, and Dewey Redman, to name just a few.

Credit for the Vancouver concert goes to the trio as a working unit. Carrier, Côté, and Lambert display exceptional chemistry throughout, and the addition of the Swedish pianist doesn't break their stride, inviting comparison to John Coltrane's classic quartet. They certainly take plenty of clues from their 1960s guides. The disc opens with the title track from All'Alba (Justin Time, 2003), along with three other songs from that studio session, which featured pianist Uri Caine.

Like the opener, the closing "L'Etang," with its growling bass introduction, shares inspiration from Coltrane's A Love Supreme (Impulse!, 1964). The tracks are paved with an inspired spirituality and forceful thrust. With Stenson's piano rippling energetic waves, Carrier ignites a feverish sound that surprisingly comes, not from a tenor saxophone (Coltrane's instrument, along with soprano), but his alto. Côté is rock-solid throughout, providing a stable platform for these compositions. The trio plus Stenson perform an inspired set here, worthy of its comparison to the Coltrane sound.

Track Listing: All'Alba; Lekh Leka; Entrance 3; L'Etang.

Personnel: François Carrier: alto saxophone; Pierre Côté: bass; Michel Lambert: drums; Bobo Stenson: piano.

Year Released: 2011 | Record Label: Ayler Records | Style: Modern Jazz


Shop

More Articles

Read LifeCycle CD/LP/Track Review LifeCycle
by Dan Bilawsky
Published: April 23, 2017
Read Right Up On CD/LP/Track Review Right Up On
by Roger Farbey
Published: April 23, 2017
Read Wanderlust CD/LP/Track Review Wanderlust
by Bruce Lindsay
Published: April 23, 2017
Read Evolution CD/LP/Track Review Evolution
by Greg Simmons
Published: April 23, 2017
Read Imagination CD/LP/Track Review Imagination
by Geannine Reid
Published: April 23, 2017
Read On A Monday Evening CD/LP/Track Review On A Monday Evening
by Dan McClenaghan
Published: April 22, 2017
Read "Lionsong" CD/LP/Track Review Lionsong
by David A. Orthmann
Published: April 18, 2017
Read "Hotel Cinema" CD/LP/Track Review Hotel Cinema
by Glenn Astarita
Published: August 3, 2016
Read "Been Up So Long It Looks Like Down to Me: The Micros Play the Blues" CD/LP/Track Review Been Up So Long It Looks Like Down to Me: The Micros Play...
by Karl Ackermann
Published: February 18, 2017
Read "The Meeting" CD/LP/Track Review The Meeting
by Edward Blanco
Published: May 17, 2016
Read "The Space Between" CD/LP/Track Review The Space Between
by Roger Farbey
Published: October 22, 2016
Read "The Picasso Zone" CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017

Post a comment

comments powered by Disqus

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!