144

Francois Carrier: Entrance 3

Mark Corroto By

Sign in to view read count
Francois Carrier: Entrance 3 Some artists have a way of synthesizing various modes and trends in their craft, so that their art comes off as all-inclusive and incredibly original. Canadian saxophonist François Carrier is one such artist. On Entrance 3, he bridges modern free jazz and mid-1960s post-bop, with guest pianist Bobo Stenson and his working trio of bassist Pierre Côté and drummer Michel Lambert.

Recorded in 2002 at the Vancouver Jazz Festival, this disc presents Carrier and company in their best format, a live setting. The altoist's live music has been well-documented with The Digital Box (Ayler Records, 2010), a download-only set of seven sessions. He has also played live with Gary Peacock, Paul Bley, Mat Maneri, Tomasz Stanko, and Dewey Redman, to name just a few.

Credit for the Vancouver concert goes to the trio as a working unit. Carrier, Côté, and Lambert display exceptional chemistry throughout, and the addition of the Swedish pianist doesn't break their stride, inviting comparison to John Coltrane's classic quartet. They certainly take plenty of clues from their 1960s guides. The disc opens with the title track from All'Alba (Justin Time, 2003), along with three other songs from that studio session, which featured pianist Uri Caine.

Like the opener, the closing "L'Etang," with its growling bass introduction, shares inspiration from Coltrane's A Love Supreme (Impulse!, 1964). The tracks are paved with an inspired spirituality and forceful thrust. With Stenson's piano rippling energetic waves, Carrier ignites a feverish sound that surprisingly comes, not from a tenor saxophone (Coltrane's instrument, along with soprano), but his alto. Côté is rock-solid throughout, providing a stable platform for these compositions. The trio plus Stenson perform an inspired set here, worthy of its comparison to the Coltrane sound.


Track Listing: All'Alba; Lekh Leka; Entrance 3; L'Etang.

Personnel: François Carrier: alto saxophone; Pierre Côté: bass; Michel Lambert: drums; Bobo Stenson: piano.

Year Released: 2011 | Record Label: Ayler Records | Style: Modern Jazz


Shop

More Articles

Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read Love Dance CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read Honest Woman CD/LP/Track Review Honest Woman
by James Nadal
Published: February 20, 2017
Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read "Serpentines" CD/LP/Track Review Serpentines
by John Sharpe
Published: December 15, 2016
Read "Iridescent Clouds" CD/LP/Track Review Iridescent Clouds
by James Nadal
Published: September 24, 2016
Read "Checkpoint" CD/LP/Track Review Checkpoint
by Dan Bilawsky
Published: March 31, 2016
Read "Quartet 1991" CD/LP/Track Review Quartet 1991
by Dan Bilawsky
Published: April 9, 2016
Read "Steeped" CD/LP/Track Review Steeped
by John Eyles
Published: October 20, 2016
Read "Sign of the Crow" CD/LP/Track Review Sign of the Crow
by Geno Thackara
Published: July 30, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!