All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

4

Vivian Buczek: Ella Lives

Chris Mosey By

Sign in to view read count
Sweden's Vivian Buczek, fast approaching her 40th birthday, comes across more as a schoolgirl with a crush on her teacher on this, her seventh solo album, which pays tribute to The First Lady Of Song. Ella Fitzgerald—had she not died in 1996—would be 100 this year.

"Ella Fitzgerald has always been my greatest inspiration and the main reason that I have become a jazz singer," Buczek explains in the sleeve note. Her father Bruno, who played trombone, introduced her to Fitzgerald: "I had never heard such honest and joyful singing before. The way she used her voice in so many different ways was astonishing to me."

Along with obligatory dollops of Ella-style scat, Buczek delivers 10 numbers from the Great American Songbook closely associated with her idol. Then, in case anyone should doubt her devotion, she closes with Mercer Ellington's "Things Ain't What They Used To Be," abandoning Ted Persons' lyric at one point to moan ecstatically, "Oh, Lady Ella... sweet Ella."

Mind, nearly everyone involved seems to be affected by the awesome subject matter. Pianist Martin Sjöstedt's arrangements—particularly on Jerome Kern's "Yesterdays"—try just that little bit too hard, hemming in soloists like Peter Asplund (trumpet) and Karl-Martin Almqvist (saxophone), rather than giving them space to breathe new life into these—let's face it—sometimes rather tired, old songs.

Despite being used as a pretext for a ghastly 1992 Meg Ryan movie of the same name, Duke Ellington's "Prelude To A Kiss" from 1938 should surely now be definitively laid to rest as a vocal number. The schlocky, cocktail bar lyrics were only tacked onto Ellington's lovely tune by Irving Mills, his money-grubbing manager, in a bid to garner more royalties. Though Duke wouldn't have complained. The cash helped to keep his band on the road.

Cole Porter's "You'd Be So Nice to Come Home To," written in 1943, holds up reasonably well in the present day, though best sung in a room with an open fireplace. It gets a stellar, straight-ahead outing here and is blessed with a fine bass solo by Niklas Fernqvist.

Asplund and Almqvist vie for solo honours on "Lady Be Good" and there's a rollicking, if somewhat incongruous vocal from Buczek. Incongruous? Perhaps not. When it comes to declarations of love, gender seems of increasingly little consequence these days. If Cole Porter were still around, he'd no doubt write a song about it.

Buczek seems to be following Fitzgerald's example in staying, specifically a jazz singer. She displays a good feel for her material and is generally careful not to let style triumph over substance. She is, understandably, big in Sweden. Elsewhere? The jury is still out on that one.

Track Listing: You’d Be So Nice To Come Home To; Yesterdays; Prelude To A Kiss; The Man I Love; It’s Alright With Me; The Very Thought Of You; Caravan; Lady Be Good; Tenderly; Misty; Things Ain’t What They Used To Be.

Personnel: Vivian Buczek: vocals; Martin Sjöstedt: piano; Mattias Ståhl: vibraphone; Fredrik Lindborg, Karl-Martin Almqvist: reeds; Peter Asplund: trumpet, flugelhorn; Niklas Fernqvist: bass; Johan Löfkrantz Ramsay: drums.

Title: Ella Lives | Year Released: 2017 | Record Label: Prophone Records

Tags

Related Video

comments powered by Disqus

CD/LP/Track Review
Read more articles
Ella Lives

Ella Lives

Prophone Records
2017

buy
Curiosity

Curiosity

Volenza
2015

buy
Live At The Palladium

Live At The Palladium

Crown Jewels
2012

buy
Dedication To My Giants

Dedication To My...

Crown Jewels
2011

buy

Related Articles

Read Paul Heller Meets Roman Schwaller CD/LP/Track Review
Paul Heller Meets Roman Schwaller
by Jack Bowers
Published: September 18, 2018
Read Change In The Air CD/LP/Track Review
Change In The Air
by Dan McClenaghan
Published: September 18, 2018
Read Vera CD/LP/Track Review
Vera
by Dan Bilawsky
Published: September 18, 2018
Read In Motion CD/LP/Track Review
In Motion
by Roger Farbey
Published: September 18, 2018
Read Marshian Time Slip CD/LP/Track Review
Marshian Time Slip
by Bruce Lindsay
Published: September 18, 2018
Read Four On The Road CD/LP/Track Review
Four On The Road
by Dan Bilawsky
Published: September 17, 2018
Read "Live At The Magic Triangle" CD/LP/Track Review Live At The Magic Triangle
by Glenn Astarita
Published: December 11, 2017
Read "Listening To Pictures (Pentimento Volume one)" CD/LP/Track Review Listening To Pictures (Pentimento Volume one)
by Chris May
Published: April 23, 2018
Read "Outer Spaces" CD/LP/Track Review Outer Spaces
by Roger Farbey
Published: July 8, 2018
Read "Araminta" CD/LP/Track Review Araminta
by Mark F. Turner
Published: October 4, 2017
Read "Zero" CD/LP/Track Review Zero
by Karl Ackermann
Published: February 6, 2018
Read "West" CD/LP/Track Review West
by Ian Patterson
Published: September 15, 2018