108

Mark Weinstein: El Cumbanchero

Dan Bilawsky By

Sign in to view read count
Mark Weinstein: El Cumbanchero Exploring music with the intellect of an ethnomusicologist, the imagination of an artist, and the technical savvy and musical know-how to combine the two is no easy feat, but Mark Weinstein is more than capable of pulling it off. For the flautist's latest Latin feast, he turned his attention toward a fusion of jazz and charanga music, a form of Cuban music that features the flute as the lead voice in an ensemble that also contains a string section, percussion, piano and bass, and the results are sophisticated and scintillating.

Fellow flautist Danilo Lozano's enlightening liner notes make mention of the fact that pianist Gonzalo Rubalcaba worked with a similar concept on Mi Gran Pasión (Messidor, 1987), but Lozano also makes sure to highlight the fact that Weinstein's work stands apart from the pianist's string-less album because it uses the actual instrumentation associated with charanga. This unique combination of voices can create a raucous party ("El Cumbanchero"), a refined, yet passionate, dance hall dalliance ("Dona Olga"), or a lighthearted affair ("Armoniosos De Amalia"), but each of these numbers share certain space and characteristics with the others, like circles in a Latin Jazz-themed Venn diagram. The only songs that truly stand apart are the two alto flute-and-string-only numbers—a somber and classical-leaning "Perla Marina" and a film score-worthy "Contigo En La Distancia."

While the album's nine tracks pay tribute to Cuban and Puerto Rican composers of note and highlight Weinstein's flute mastery, they also showcase the arranging talents and compositional skills of the leader's chief collaborator on this project, pianist Aruan Ortiz. Ortiz manages to tackle the traditions of charanga without resorting to cliché and his own compositions add another element to the music. His "Av. Pinto Tapiro" and "Danzón De Liz" are breezy and bright, but "Aruancó" proves to be the standout original. The pianist juxtaposes relentless, clattering hand drums against Weinstein's flute, and uses his own piano to create hypnotic, cycling chords and some engrossing solo work.

Weinstein's continued willingness to reach beyond the status quo and explore the neglected tributaries of the wider Latin Jazz river marks him as a true giant of this music, and El Cumbanchero is merely the latest document to prove it.


Track Listing: El Cumbanchero; La Mulata Rumbera; Doña Olga; Aruancó; Av. Pinto Tapiro; Perla Marina; Armoniosos De Amalia; Danzón De Liz; Contigo En La Distancia.

Personnel: Mark Weinstein: concert flute, alto flute, bass flute; Aruán Ortiz: piano; Yunior Terry: bass; Mauricio Herrera: timbales, conga, guiro; Yusnier Sánchez Bustamante: conga (1, 2, 4); Marc Szammer; violin (3, 7- 9); Elena Rojas Crocker: violin (3, 7-9); Francisco Salazar: violin (1, 2, 6); Everhard Parades: violin (1, 2, 6); Samuel Marchán: viola; Aristides Rivas: cello (3, 5, 7-9); Brian Sanders: cello (1, 2, 6).

Year Released: 2011 | Record Label: Jazzheads | Style: Latin/World


Shop

More Articles

Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read TAI Fest #1 (Vol.1&2) CD/LP/Track Review TAI Fest #1 (Vol.1&2)
by Nicola Negri
Published: February 27, 2017
Read Goat Man & The House of the Dead CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017
Read Backlog CD/LP/Track Review Backlog
by James Nadal
Published: February 27, 2017
Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read "Confidences" CD/LP/Track Review Confidences
by Jack Bowers
Published: February 3, 2017
Read "Solstice" CD/LP/Track Review Solstice
by Jerome Wilson
Published: November 27, 2016
Read "Alive Out There" CD/LP/Track Review Alive Out There
by Mark Corroto
Published: May 2, 2016
Read "Checkpoint" CD/LP/Track Review Checkpoint
by Chris M. Slawecki
Published: August 6, 2016
Read "Lea Áigi" CD/LP/Track Review Lea Áigi
by Mark Sullivan
Published: December 23, 2016
Read "An Untroublesome Defencelessness" CD/LP/Track Review An Untroublesome Defencelessness
by Mark Corroto
Published: July 22, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!