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"Eras" actually comprises the majority of Huntsville's whole double-CD Eco, Arches & Eras, recorded live at the Kongsberg Jazz Festival in 2007. It therefore typifies the trio's live sound, although here they are augmented by guests from Wilcopercussionist Glenn Kotche and guitarist Nels Cline.
The band specializes in the gradual build-up of powerful soundscapes through layering, with all three members using some sampling techniques. Percussionist Ingar Zach opens the piece with gentle throbs and minimalist percussion, though Ivar Grydeland soon leads the wayfirst, with his guitar and, after 20 minutes, adding motifs and melodies on banjo that clash or cross-reference in the mix.
In the wrong mood, this is just extended dissonance but, given the patience that a 55-minute track presupposes, this music comprises a tribute to the amalgamation of twenty-first century noise with twentieth century sounds. At the same time iconoclastic and traditional, it references both Elliott Sharp and Woody Guthrie.
Personnel: Iver Grydeland: guitars, banjo, pedal steel guitar and various instruments; Tony Kluften: double-bass and various instruments; Ingar Zach: percussion, tabla machine, sarangi box, shruti box and various instruments; Nels Cline: guitars; Glenn Kotche: percussion.
I love jazz because it is the most diverse music genre.
I was first exposed to jazz a long time ago.
The best show I ever attended was Henry Threadgill's very very Circus at SJU jazzpodium in Utrecht.
The first jazz record I bought was Coleman Hawkins Big Band live at The Savoy Ballroom 1940.
My advice to new listeners is to attend as many concerts you can even though you may not know the musicians who are playing.
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