"Eras" actually comprises the majority of Huntsville's whole double-CD Eco, Arches & Eras, recorded live at the Kongsberg Jazz Festival in 2007. It therefore typifies the trio's live sound, although here they are augmented by guests from Wilcopercussionist Glenn Kotche and guitarist Nels Cline.
The band specializes in the gradual build-up of powerful soundscapes through layering, with all three members using some sampling techniques. Percussionist Ingar Zach opens the piece with gentle throbs and minimalist percussion, though Ivar Grydeland soon leads the wayfirst, with his guitar and, after 20 minutes, adding motifs and melodies on banjo that clash or cross-reference in the mix.
In the wrong mood, this is just extended dissonance but, given the patience that a 55-minute track presupposes, this music comprises a tribute to the amalgamation of twenty-first century noise with twentieth century sounds. At the same time iconoclastic and traditional, it references both Elliott Sharp and Woody Guthrie.
Personnel: Iver Grydeland: guitars, banjo, pedal steel guitar and various instruments; Tony Kluften: double-bass and various instruments; Ingar Zach: percussion, tabla machine, sarangi box, shruti box and various instruments; Nels Cline: guitars; Glenn Kotche: percussion.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.