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The organ-led trio has long been a fascination for guitarist Greg Skaffespecially when a guitar is involved. So it follows that he borrows from the playbooks of guitarists like George Benson and Wes Montgomery, and organists like Jimmy Smith and Don Patterson.
East Harlem Skyline brings Skaff together with Hammond B-3 organists George Colligan and George Laks, with Darryl Jones on electric bass and drummers Charley Drayton and E.J. Strickland. The collection includes six Skaff compositions and covers of songs by Colligan, Wayne Shorter, Fiona Apple and Billy Strayhorn.
"Willie D" is part throwback to early rock fusion. Skaff leads in a freestyle rock mode. Laks, Jones and Drayton make their only appearance count. For the remainder of the set, Strickland carries drum duties, and Colligan uses the organ to cover for the bass. This element comes through strongly on Shorter's "Angola." Skaff's play is clean and crisp. Strickland works the cymbals effectively, while Colligan adds plenty of depth. Colligan also contributes a Smith-like solo.
If Skaff original "Tropicalia" has a Brazilian feel, it's because of the song's inspiration: the word itself is the name of a musical movement in Brazil, but the title also is influenced by Tropical Truth, an autobiography by singer Caetano Veloso. It's a charming, easygoing piece in which Skaff, Colligan and Strickland do plenty of stretching out. Strickland is especially effective during the closing sequence, scoring on the snare and toms with vigor.
Colligan is more of a force on "Twenty Three," named so because of the number of bars in the melody. The organist leads through most of this selection, with Skaff mostly in a rhythm guitar role. Strickland, as throughout, is sharp in mixing the snare, toms and cymbals.
With East Harlem Skyline Skaff reinforces his mark to be considered among the guitar/B-3/drum trios whose styles he honors.
Track Listing: Willie D; Contrary to Popular Motion; Angola; Tropicalia; Yasmine
Personnel: Greg Skaff: guitar; George Colligan: Hammond B-3 organ (2-10); E.J. Strickland: drums (2-10); George Laks: Hammond B-3 organ (1); Darryl Jones: electric bass (1); Charley Drayton: drums, percussion (1).
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.