420

4th Ward Afro-Klezmer Orchestra: East Atlanta Passover Stomp

Raul d'Gama Rose By

Sign in to view read count
4th Ward Afro-Klezmer Orchestra: East Atlanta Passover Stomp Close to a century ago, Egyptologists, chief among them Cheikh Anta Diop, suggested that there was only one race: The Human Race. The Diaspora scattered from the Rift Valley and the rest, as they say, is, well, nations with severely controlled borders. Music and radio—before the advent of the record—broke some of that down, but most cultures were downright silly enough to box in the various musical dialects. Still, the Afro-American musician and the Yiddish-American musician have often crossed over to enrich the playing field.

East Atlanta Passover Stomp is a delicious stew of music played in the dialects of Klezmer, jazz and the new Afro-pop, the kind that Fela Anikulapo-Kuti made musical bombs with and exploded all over Europe and the world. Happily the music, although through-composed and quite stylish, loses none of its raw brassiness in translation. "Greater Lagos Wed. Night Talmud Meeting," for instance, is a wonderful take on Charles Mingus "Wednesday Night Prayer Meeting," complete with abrupt Mingusian changes in rhythm. But it is also a work of singular brilliance, complete with ecstatic Holy-Rolling and the hypnotic howl of spiritual worship.

The wonderful Klezmer spirit is showcased in "Dolgo Horo," ("Daily Horoscope") a modern send-up of an old Balkan custom and although the music has no lyrics to go with it, is crafted with beautifully suggestive harmonies and is as likely to be virtually as memorable as the popular Yiddish theme from "Fiddler on the Roof." Jeff Crompton's alto sax solo and Blake Williams' trombone choruses are superbly contemporary flights of fancy. Colin Bragg solos in a swaggering blues manner too. "RED RAT!!" and "9th Ward Dirge" are charged decoctions brimful with slightly off-key instrumentation, dexterous soloing in a Gypsy idiom melded with brassy marching street bands, Yiddish musical idiosyncrasies, Yoruban Santeria, and Jewish Seder service, wonderfully swathed in bold big band harmonics.

"O Se Shalom" works as beautifully in a Klezmer idiom, as well as the Afro-Caribbean Santeria original does. "Glad You Think So (Part 2)" and "Sweet Auburn Mishegas" are roaring songs that lift the spirits in just the same manner as the spiritual tracks do, only this is more a street-level kind of "spiritual" high. And "Cabbagetown Jitter" has striking changes—all in minor modes—and incorporates a wonderfully brazen head. The brass and woodwinds swirl around each other with bold harmonics until the song builds up in swaggering tempo, before Bill Nittler plays his baritone solo with attitude, slyly fading out for trombone and tenor saxophone to take over. The music returns to ensemble in a manner that recalls a mighty Carla Bley arrangement, working itself onwards the inevitable conclusion.

The timeline of American history is rich in exemplary music in blues and Klezmer idioms. Space is too limited for detail, but if the chance to heed the call of Mingus' Blues and Roots (Atlantic, 1960) and Don Byron Plays The Music of Mickey Katz (Elektra, 1993), it's catch-up time now.

Track Listing: Lagos Wed. Night Talmud Meeting; Dolgo Horo; RED RAT!!; O Se Shalom; Glad You Think So (Part 2); East Atlanta Passover Stomp; 9th Ward Dirge; Sweet Auburn Mishegas; Cabbagetown Jitter.

Personnel: Colin Bragg: guitar; Chris Case: Fender Rhodes; Jeff Crompton: alto saxophone, clarinet (7), baritone saxophone (8); Ben Davis: tenor saxophone; Chip Epsten: violin; Ben Gettys: bass; Keith Leslie: drums; Bill Nittler: baritone saxophone, clarinet, alto saxophone (8); Roger Ruzow: trumpet; Blake Williams: trombone.

Year Released: 2009 | Record Label: Self Produced | Style: Latin/World


Shop

More Articles

Read Rags And Roots CD/LP/Track Review Rags And Roots
by James Nadal
Published: April 25, 2017
Read Tangled CD/LP/Track Review Tangled
by Jack Bowers
Published: April 25, 2017
Read Is It Me...? CD/LP/Track Review Is It Me...?
by Edward Blanco
Published: April 25, 2017
Read Live CD/LP/Track Review Live
by Bruce Lindsay
Published: April 25, 2017
Read 14.11.2016 CD/LP/Track Review 14.11.2016
by Nicola Negri
Published: April 25, 2017
Read Malnoia CD/LP/Track Review Malnoia
by Dan Bilawsky
Published: April 24, 2017
Read "Beninghove's Hangmen Plays Led Zeppelin" CD/LP/Track Review Beninghove's Hangmen Plays Led Zeppelin
by Chris M. Slawecki
Published: March 23, 2017
Read "Skylines" CD/LP/Track Review Skylines
by Bruce Lindsay
Published: November 13, 2016
Read "Vanheusenism: A Tribute to Jimmy Van Heusen" CD/LP/Track Review Vanheusenism: A Tribute to Jimmy Van Heusen
by Mark Sullivan
Published: September 2, 2016
Read "Strunkin'" CD/LP/Track Review Strunkin'
by Jerome Wilson
Published: November 18, 2016
Read "La Diversité" CD/LP/Track Review La Diversité
by Roger Farbey
Published: January 31, 2017
Read "Signature" CD/LP/Track Review Signature
by Chris Mosey
Published: August 17, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM RECORDS | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!