420

4th Ward Afro-Klezmer Orchestra: East Atlanta Passover Stomp

Raul d'Gama Rose By

Sign in to view read count
4th Ward Afro-Klezmer Orchestra: East Atlanta Passover Stomp Close to a century ago, Egyptologists, chief among them Cheikh Anta Diop, suggested that there was only one race: The Human Race. The Diaspora scattered from the Rift Valley and the rest, as they say, is, well, nations with severely controlled borders. Music and radio—before the advent of the record—broke some of that down, but most cultures were downright silly enough to box in the various musical dialects. Still, the Afro-American musician and the Yiddish-American musician have often crossed over to enrich the playing field.

East Atlanta Passover Stomp is a delicious stew of music played in the dialects of Klezmer, jazz and the new Afro-pop, the kind that Fela Anikulapo-Kuti made musical bombs with and exploded all over Europe and the world. Happily the music, although through-composed and quite stylish, loses none of its raw brassiness in translation. "Greater Lagos Wed. Night Talmud Meeting," for instance, is a wonderful take on Charles Mingus "Wednesday Night Prayer Meeting," complete with abrupt Mingusian changes in rhythm. But it is also a work of singular brilliance, complete with ecstatic Holy-Rolling and the hypnotic howl of spiritual worship.

The wonderful Klezmer spirit is showcased in "Dolgo Horo," ("Daily Horoscope") a modern send-up of an old Balkan custom and although the music has no lyrics to go with it, is crafted with beautifully suggestive harmonies and is as likely to be virtually as memorable as the popular Yiddish theme from "Fiddler on the Roof." Jeff Crompton's alto sax solo and Blake Williams' trombone choruses are superbly contemporary flights of fancy. Colin Bragg solos in a swaggering blues manner too. "RED RAT!!" and "9th Ward Dirge" are charged decoctions brimful with slightly off-key instrumentation, dexterous soloing in a Gypsy idiom melded with brassy marching street bands, Yiddish musical idiosyncrasies, Yoruban Santeria, and Jewish Seder service, wonderfully swathed in bold big band harmonics.

"O Se Shalom" works as beautifully in a Klezmer idiom, as well as the Afro-Caribbean Santeria original does. "Glad You Think So (Part 2)" and "Sweet Auburn Mishegas" are roaring songs that lift the spirits in just the same manner as the spiritual tracks do, only this is more a street-level kind of "spiritual" high. And "Cabbagetown Jitter" has striking changes—all in minor modes—and incorporates a wonderfully brazen head. The brass and woodwinds swirl around each other with bold harmonics until the song builds up in swaggering tempo, before Bill Nittler plays his baritone solo with attitude, slyly fading out for trombone and tenor saxophone to take over. The music returns to ensemble in a manner that recalls a mighty Carla Bley arrangement, working itself onwards the inevitable conclusion.

The timeline of American history is rich in exemplary music in blues and Klezmer idioms. Space is too limited for detail, but if the chance to heed the call of Mingus' Blues and Roots (Atlantic, 1960) and Don Byron Plays The Music of Mickey Katz (Elektra, 1993), it's catch-up time now.

Track Listing: Lagos Wed. Night Talmud Meeting; Dolgo Horo; RED RAT!!; O Se Shalom; Glad You Think So (Part 2); East Atlanta Passover Stomp; 9th Ward Dirge; Sweet Auburn Mishegas; Cabbagetown Jitter.

Personnel: Colin Bragg: guitar; Chris Case: Fender Rhodes; Jeff Crompton: alto saxophone, clarinet (7), baritone saxophone (8); Ben Davis: tenor saxophone; Chip Epsten: violin; Ben Gettys: bass; Keith Leslie: drums; Bill Nittler: baritone saxophone, clarinet, alto saxophone (8); Roger Ruzow: trumpet; Blake Williams: trombone.

Title: East Atlanta Passover Stomp | Year Released: 2009 | Record Label: Self Produced


Tags

comments powered by Disqus

More Articles

Read BACHanalia CD/LP/Track Review BACHanalia
by Jack Bowers
Published: June 24, 2017
Read Hallways CD/LP/Track Review Hallways
by Paul Rauch
Published: June 24, 2017
Read The Crave CD/LP/Track Review The Crave
by John Sharpe
Published: June 24, 2017
Read Chase The Light (Excursions in Soul, Reggae, Funk, and Dub) CD/LP/Track Review Chase The Light (Excursions in Soul, Reggae, Funk, and Dub)
by Joe Gatto
Published: June 24, 2017
Read Kickin' Child - The Lost Album 1965 CD/LP/Track Review Kickin' Child - The Lost Album 1965
by Doug Collette
Published: June 24, 2017
Read Towards Language CD/LP/Track Review Towards Language
by John Eyles
Published: June 23, 2017
Read "Fierce Silence" CD/LP/Track Review Fierce Silence
by Mark Corroto
Published: August 4, 2016
Read "Sunrain" CD/LP/Track Review Sunrain
by Geno Thackara
Published: November 25, 2016
Read "Louisiana Soul Revival Featuring Doug Duffey" CD/LP/Track Review Louisiana Soul Revival Featuring Doug Duffey
by Chris M. Slawecki
Published: November 21, 2016
Read "Sleight Of Hand" CD/LP/Track Review Sleight Of Hand
by Roger Farbey
Published: May 8, 2017
Read "Black Ice" CD/LP/Track Review Black Ice
by Mark Sullivan
Published: July 6, 2016
Read "What Do I Miss" CD/LP/Track Review What Do I Miss
by Geno Thackara
Published: September 10, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.