If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Any recording that features saxophonist/clarinetist Michael Moore deserves attention these days as pianist Achim Kaufmann and his quartet have come up with a sure-fired dandy with this new release titled, Double Exposure. Here, Kaufmann and Moore create a stirring front line along with superb support from bassist John Schroder and one of the most in demand session drummers on the scene, John Hollenbeck. Simply put, these gents sound as though they’ve been shedding for years which is evident from the onset of the modern jazz-soulful boogie opener, “Carnies”. On this piece, Kaufmann displays a percussive attack amid fleet-fingered bop-ish lines as the band links abstract expression with cunning lyricism and a shifty pulse while Hollenbeck goes on a semi disciplined rampage underneath Moore and Kaufmann’s tight unison choruses. The proceedings lighten up a bit as clarinetist Michael Moore, performs softly flowing and airy melodies on the aptly titled, “Dream Logic” whereas the composition titled, “Pea Head” features prominent bass lines by Schroder for a groove that lies somewhere between funk and bop. Throughout, the band spews forth a quiet storm via bubbly melodies, burgeoning rhythms, and inventive soloing. Essentially, Kaufmann shines as a young stylist who possesses an exceptional compositional pen as these works impart a lasting impression. Hence, Double Exposure is among the finest and most refreshing modern jazz releases of 2000. Highly recommended!
* * * * ½ (out of * * * * *)
Achim Kaufmann; Piano: Michael Moore; Clarinet, Alto Saxophone & Bass Clarinet: john Schroder; Bass Guitar & Guitar: John Hollenbeck; Drums & Percussion
I love jazz because it takes my mind away and is very relaxing.
I was first exposed to jazz by my older brother every morning while eating breakfast before school he would play Hiroshima One which I hated but after he moved away to college and I moved to Miami I fell in love with jazz music.