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Dislocation Blues is the work of kindred spirits in a sustained moment of inspiration. Recorded in April of 2005, months before guitarist/vocalist Chris Whitley's death from cancer, the album finds the late Texan united with his Australian cohort, guitarist Jeff Lang, as they confront their emotions and, by the alchemy that is music, transform that interaction into poetry instrumental and verbal.
Whitley and Lang achieve this transmogrification with a mix of originals, traditional songs and, not surprisingly, two songs of Bob Dylan's. "When I Paint My Masterpiece is a jaunty romp that nevertheless betrays a certain nagging uncertainty through its mix of electric and acoustic guitars combined with the halting gait in the rhythm. "Changing of the Guard finds Whitley and Lang trading verses of the Bard's apocalyptic vision, the fluidity of their tradeoffs making it all the more regrettable the world will never get to see the two perform together live (though the two did do some selected dates together in 2004, early in their collaboration).
Thankfully Dislocation Blues fully documents their chemistry as they interact with the deferential rhythm section of bassist Grant Cummerford and drummer Ashley Davies. Whitley and Lang, who produced the album and ensured its release in the United States, refuse to prettify their music but therein lies the very foundation of its beauty. The pair conjures an air of menace through the deliberate pace they apply to the traditional tune "Stagger Lee, Whitley's falsetto vocal and the electric slide guitar winding around the changes like a shadow of a stalker. The title song is a mesmerizing travel through time, revealing Whitley's beat poet roots as means of commentary on our post-9/11 world.
Lang plays the role of younger brother to Whitley here, a figure with less experience and thus more unabashed hope. His voice is less parched and his guitar playing brighter on "The Road Leads Down and "Ravenswood. Twelve Thousand Miles is an original blues by Lang, where he demonstrates how he exorcises his personal demons as much by playing as composing. Whitley's previously recorded "Rocket House is shorn of its previously-recorded production accouterments and enlivened as an acoustic dreamscape that's no less evocative.
What might seem an odd choice here is the inclusion of Prince's "Forever in My Life. Yet Whitley and Lang take this somewhat overstated expression of devotion and turn it into an ode to primal desire. Like the almost hidden track "Hellhound on My Trail, performed by Whitley alone, it becomes a personal statement that haunts long after the performance is over.
The same can be said about Dislocation Blues in its entirety.
Track Listing: Stagger Lee; Twelve Thousand Miles; When I Paint My Masterpiece; Rocket House; The Road Leads Down; Dislocation Blues; Forever in My Life; Velocity Girl; Ravenswood; Underground; Changing of the Guard; Motion
Bride; Hellhound on My Trail.
Personnel: Chris Whitley: vocals, National guitar, bottleneck guitar, foot; Jeff Lange: amplified acoustic lap steel, National guitar, acoustic lap slide, acoustic guitar, loops, samples, electric guitar, fretless electric guitar, fretless banjo, bass pedals; Grant Cummerford: acoustic bass, electric bass, bowed bass: Ashley Davies: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.