Since childhood, Portuguese accordionist João Barradas has been winning awards on his instrument at national and international level. His undoubted talent on his chosen instrumentand its midi versionis on display throughout Directions, his first album as leader. So, too, is his talent as a composerall but one of the tracks are his original compositions.
Barradas is accompanied by his excellent Portuguese quartet across these tunes and is joined by guests Greg Osby (who also produced), Gil Goldstein and Sara Serpa on selected tracks. Saxophonist Osby first appears on the punchy but rather bizarre "Expressive Idea"a tune featuring Barradas' midi-accordion and centered around a recorded conversation between Wayne Shorter and Joe Lovano on which Barradas matches the cadences and rhythms of the speakers' voices.
Directions demonstrates two sides of Barradas' talentsthe influence of what might be called the "accordion tradition" on tunes such as "Letter To Mother's Immersion" (featuring some fine guitar from André Fernandes), "Homeric Hymn" and the forceful "Amalgamat" and the freer, more contemporary, vibe to be found on "Expressive Idea," "Unknown Identity," "Ignorance" (all of which feature Osby) and the angular rhythms of "Amalgamat (Outro)" where Serpa's wordless vocal adds an ethereal atmosphere. "Homeric Hymn" combines both approaches, opening in the tradition before moving towards a more contemporary sound. Goldstein's composition, "Tiling The Plane," is a twin-accordion piece: apparently based on "Giant Steps" it's an interesting shift of pace but the return of the band on "The Red Badge Of Courage" is welcome.
Track Listing: Expressive Idea; Letter To Mother’s Immersion; Varazdin’s Landscape; Unknown
Identity; Amalgamat; Amalgamat (Outro); Tiling The Plane; The Red Badge Of
Courage; Manners Of Normality; Homeric Hymn; Ignorance.
Personnel: João Barradas: accordion, midi accordion; André Fernandes: guitar; João Paulo
Esteves da Silva: piano; André Rosinha: bass; Bruno Pedroso: drums; Greg Osby:
saxophone (1, 4, 11); Gil Goldstein: accordion (7); Sara Serpa: vocals (6).
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.