Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Diana Krall: Rediscovering Vaudeville in Glad Rag Doll

Belinda Ware By

Sign in to view read count
Diana Krall is more than just a jazz songstress. She established herself as a solid interpreter of standards with her rendition of the Dusty Springfield's classic, "The Look of Love," making her mark with notable acoustic arrangements coupled with openly sensuous vocals carrying the tune.

Krall is one of the jazz world's uniquely eclectic artists who has built a respectable longevity with her career. She is consistent as a serious jazz artist, both in the recording studio as well as in her visual branding. When it comes to CD cover art, she appears to have garnered notable attention on a similar level to her musical artistry. Krall is fashion-driven, with a personal preference for 1940s Hollywood glamour, with a retro vibe particularly noted in her most recent release, Glad Rag Doll (Verve, 2012).

Glad Rag Doll is personal for Krall, and she's not the least bit shy with this one. Krall steps out modeling a lingerie ensemble in the cover photo, with comfortable humility and dignity that speaks enchantment as she appears to be daydreaming of a love afar. The cover captures her interpretation of the beauty of femininity and, for a moment, one would think it was a romance novel cover. Her influence for going avant-garde with a teddy and nylons originates from her personal desire to "play dress-up" as one of Alfred Cheney Johnston's Ziegfeld girls at least one time on a CD cover.

Glad Rag Doll introduces a new level of comfort in the depth of intimacy with Krall's vocal style. Krall brings her sultry jazz interpretations to vaudeville songs written between World War I and World War II. Her vocals are bluesy, with an accent of jazz. No large orchestras on this one. It's different. It's rudimentary. Voice and piano. Voice and guitar. She's returning to the music of trumpeter/singer Louis Armstrong and late night piano bars, with her bluesy and straight-ahead jazz intonations and vocal simplicity. The music is basic jazz and blues.

Her jazz voice is soft, breathy and pronounced in "Garden in the Rain," with a raw presence delicately accented by soft piano licks. It is reminiscent of singer Billie Holiday, with only piano and voice carrying the tune and capturing a 1930s jazz feel. Krall's voice is up front and it's enough. She takes down the walls of privacy and exposes her heart openly in love with her poignant phrasing on "All I Do Is Dream of You ."

In "As Long As I Love," she speaks to the love of her life and shares a poetic serenade in lyrics that seem even conversational:

"You'll always be mine
I'll make a crown of sparkling stars for you
from the skies.
But how can I compare them to
the starlight shines in your eyes."

Krall shares, in song, the words of a woman in love who wants to hold on to that feeling with all she's got; and for a moment, she bares all her emotions clearly in lyrical tone and expression, with minimal instrumentation surrounding her vocals.

Where did this direction come from? Glad Rag Doll is personal for Krall. She travels back in time to her childhood and the 1920s music she grew up to love and cherish—the music of the era that gave way to the birth of jazz in New Orleans, an era that with which Krall became fascinated as a child, leading her to discover her own voice in jazz.

Krall partnered with singer/songwriter Bob Dylan's one-time guitarist, legendary Americana producer T Bone Burnett, to help her put this unique project together, starting off with the tedious selection of choice Vaudeville picks from a list of 35 songs from her father's collection of music that she adored during her childhood.

Krall interprets songs such as "We Just Couldn't Say Goodbye" with a subtle relaxed flair similar to 1920s jazz songstress Annette Hanshaw. She exposes her feminine vulnerabilities in her soft vocal delivery on "I'm a Little Mixed Up." She's artistic, as she plays with shades of blue in her vocal intonations of Ray Charles' "Lonely Avenue," which has a Miles Davis feel to its musical arrangement.

With the title track, Krall tells the story of the struggle for women's rights in the '20s through vocal sarcasm, in a tone that is slightly theatrical. Krall recreates that time in history with subtle emotion and story-driven lyrics.

For the jazz purist, this is not a typical record label release. This project is all Krall—her past influences, her present expression and her future vision, all wrapped up in one CD. She took time to put this together. She went back to her childhood and pulled songs from her father's collection. She listened to stacks of classic 78 records to select the songs for the final cut. It has been a project in the making for some time, a project that she was determined to record, and now she's done it—and this time, she did it her way.

Glad Rag Doll is filled with songs that tell the stories of love and romance, with Krall's recognizable vocal purity. Her intonation and interpretation of Vaudeville standards on this CD speak to her personal mastery of expression in mind, body and soul, through the timeless art form of jazz.


Related Video

comments powered by Disqus

More Articles

Read Ronnie Laws: Finding His New Groove Tell Me More Ronnie Laws: Finding His New Groove
by Belinda Ware
Published: September 14, 2017
Read Lee Ritenour: Behind a "Twist of Rit" Tell Me More Lee Ritenour: Behind a "Twist of Rit"
by Belinda Ware
Published: December 4, 2015
Read Keb' Mo': Blues Meets Jazz in BluesAmericana Tell Me More Keb' Mo': Blues Meets Jazz in BluesAmericana
by Belinda Ware
Published: August 30, 2015
Read Cyrille Aimee: It's a Good Day Tell Me More Cyrille Aimee: It's a Good Day
by Belinda Ware
Published: March 3, 2015
Read Stacey Kent: Songs in the Key of Love and Life Tell Me More Stacey Kent: Songs in the Key of Love and Life
by Belinda Ware
Published: April 30, 2014
Read Lili Añel: Finding Bliss by Climbing the Wall Tell Me More Lili Añel: Finding Bliss by Climbing the Wall
by Belinda Ware
Published: January 20, 2014
Read "Ronnie Laws: Finding His New Groove" Tell Me More Ronnie Laws: Finding His New Groove
by Belinda Ware
Published: September 14, 2017
Read "Pittsburgh JazzLive International Festival 2017" Live Reviews Pittsburgh JazzLive International Festival 2017
by C. Andrew Hovan
Published: June 24, 2017
Read "A Conversation with Mike Mainieri" Book Excerpts A Conversation with Mike Mainieri
by Anthony Smith
Published: June 2, 2017
Read "Troy Dostert's Best Releases of 2016" Best of / Year End Troy Dostert's Best Releases of 2016
by Troy Dostert
Published: December 11, 2016
Read "Mark F. Turner's Best Releases of 2016" Best of / Year End Mark F. Turner's Best Releases of 2016
by Mark F. Turner
Published: December 31, 2016
Read "Claude Ranger: Canadian Jazz Legend" Book Reviews Claude Ranger: Canadian Jazz Legend
by David A. Orthmann
Published: November 15, 2017
Read "Randy Weston: Music of The Earth" Interview Randy Weston: Music of The Earth
by R.J. DeLuke
Published: June 28, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor