Nat Adderley gave us music that has feeling. It reaches deep inside and touches something. As former members of his sextet, Scott Whitfield and Vincent Herring honor the trumpeter and composer with this session of lively big band arrangements. "Work Song and "Jive Samba may be Adderley's greatest songs, but Diamonds for Nat offers much lot more. How can we ever forget the wit and the unique manner with which Nat Adderley could interpret a tune?
Howard Johnson opens "Hummin' with a rippin' tuba solo that recalls the down-home feeling that Adderley pumped into his music. Later, Johnson and Dave Schumacher open "Plum Street with an animated baritone saxophone conversation which leads to a big band romp and stomp over foot-tappin' excitement. Scott Whitfield's big band arrangements give the orchestra a warm, blues-based texture. With each selection, he challenges his sections and soloists with coordinated writing that flows seamlessly.
Vincent Herring's alto gives "Work Song and "Jive Samba a passionate interpretation that brings the whole band into focus with a swinging zeal. But when you're working with such classic songs, how can you miss? Whitfield's trombone provides the featured voice on "Roses for Your Pillow, a lovely ballad with a heart-felt message. His velvety smooth melody graces this recommended album with a loving touch that sends out his warmest regards in memory of Nat Adderley.
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.