You'd be forgiven for being unfamiliar with the work of Russian composer Alexander Scriabin (1872-1915) or, indeed, Croatian jazz pianist Davor Kajfeš. Sadly neither one has been widely heard outside of their respectiveor adoptedcountries to date. We can celebrate, then, that the release of Dialogues With Scriabin (Headspin Recordings, 2013) brings the music of these two masters together for the delight of audiences further afield. Pianist, composer and teacher Kajfeš was born in the Croatian capital Zagreb in 1934. While performing with the Zagreb Radio-TV Big Band in 1957, he composed for the Zagreb Film Company and various TV shows. In 1959, he joined the Zagreb Jazz Quartet and toured Europe and the USSR and recorded with international jazz and blues heavyweights such as trumpeters Art Farmer and Buck Clayton, vocalists Helen Humes and Big Joe Turner, guitarist and singer T-Bone Walker, trombonist Albert Mangelsdorff and bassist Red Mitchell. Modern Jazz Quartet pianist John Lewis was also a mentor, friend, and later- brother in law.
Like Kajfeš, who has been a resident of Sweden since 1967, Russian composer and pianist Scriabin lived abroad for most of his working life. The symbolist composer composed and lived in Switzerland, Italy, France, Belgium and United States. While Chopin inspired his early works, Scriabin was keen to develop his own sound, which leaned more towards the atonal, cacophonous end of musical language. A petite, effeminate man with small hands (which would have affected his playing stylehe was able to cover no more than a 9th on the keyboard), Scriabin was affected by a neurological phenomenon known as "synesthesia." This meant that different notes stimulated the perception of different colours in his mind. He even went so far as to develop a special keyboard with lights for one of his most famous compositions, PrometheusPoem of Fire, which was performed in New York in 1915.
The last five years of Scriabin's short life were spent writing predominantly for piano, but contemporary musicians have seldom visited this body of work. Kajfeš' ambitious recording of sixteen carefully chosen pieces by Scriabin not only pays homage to the daring and controversial work of the composer, but also acts as a welcome demonstration of Kajfeš' confident, generous playing style. This solo piano recording provides an insight into the work of a remarkable composer and a noteworthy pianist. Kajfeš' jazz roots and undeniable mastery of his chosen instrument are subtly woven into these "dialogues" with Scriabin's written music to create a textured, colourful musical experience that Scriabin himself would have no doubt enjoyed.
Released on acclaimed jazz-trumpeter-son Goran Kajfes' label, Dialogues With Scriabin comes packaged in a stylish oversized card box and comes with a print and booklet featuring illustrations by daughter Arijana.
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr. Garner, I love playing the piano... is there any advice you could give me?'' He hesitated, then looked back at me and said, Keep playin' and don't stop!'' That was great advice because at 60 years old, I'm still playin' and haven't stopped!