In 1978, Zeitlin had the good fortune, moxie and requisite skills to participate in the very collaborative creation of a masterpiece of its genre, The Invasion of the Body Snatchers
. In 2010, after seventy years at the piano, and many excellent albums, Zeitlin has created his personal masterpiece with Precipice
(Sunnyside Records, 2010). It is a solo outing that begins with a wandering "Free Interlude" that slips into an inspired take on Cole Porter's "What Is This Thing Called Love" which morphs into John Coltrane
's "Fifth House"over twelve-plus minutes of unalloyed, in-the-flow creativity. He revisits "The We of Us," and explores Wayne Shorter
's "Deluge" and Sonny Rollins
' "Oleo," before offering up the 24-carat beauty of "Love Theme From the Invasion of the Body Snatchers," then closes out with two of his own energized tunes, "Pulsar" and "Precipice."
The recording of the live set was, according to Zeitlin: "A night where I felt everything did come together. All the things you can't always control. You don't know how good the acoustics will be like in the room, you don't know how good the piano's going to be. You don't know if it was expertly tuned for that day, you hope for a good crowd that will reach for and meet the music. You don't always have that. And then if you record, you don't know how good the recording's going to be. But on this particular night I thought it all of that came together, and it really did bring out the best in me. I'm very pleased with that concert album, and just delighted that Sunnyside liked it and wanted to put it out. I'm even tickled with the cover, which I think is one of the most perfect covers I've had for an album ever. I really wanted to get the sense of that on the edge sense of danger, and I think that almost Dali-esque illustration is just terrific."
A perfect cover for a perfect solo piano album. What's Next
Now in his seventh decade, Zeitlin seems to have no intention of slowing down his creative process.
"I have another solo album in the can, but haven't made any move to place it with anybody yet. I'm really enjoying my relationship with Sunnyside, and I'm hoping that we will do more projects together. I don't know whether the next one will be a solo project, but what I would like to do would be an album that would come out of my studio. I'm getting interested in reactivating my electronic music studio."
Recalling an earlier release, Zeitlin says: "In 2005 I put out a solo album on MaxJazz called Solo Voyage
, which was a combination of solo acoustic piano, and then on about half of it, solo acoustic piano with synthesizer. And it was a lot of fun for me, getting back into using the synthesizer again, even though it was a sort of a sad event in life that got me doing it. It was the dying of a very dear friend that prompted me to do the part of that album with the synthesizer in it. It was designed really as a very peaceful, contemplative series of tunes that would help my friend to make a graceful exit. It turned out that the music got to him barely in time before he slipped away into his final coma, but his wife told me that the music had meant a lot to him.
"The positive thing about that sad project was it got me immersed in the synthesizer again. So I'd like to do some more work in that area in the next year or so. And I wouldn't be surprised if there would be an album coming out of that, maybe in the next year or so, that would really have some in depth of an exploration of electronics and acoustics."
And it will surely be amazing, as Denny Zeitlin does nothing halfway.
Denny Zeitlin, Precipice
(Sunnyside Records, 2010)
Denny Zeitlin Trio, In Concert
(Sunnyside Records, 2009)
Denny Zeitlin, Mosaic Select: Denny Zeitlin
(Mosaic Records, 2009)
Denny Zeitlin, Solo Voyage
MaxJazz Records, 2005)
Denny Zeitlin Trio, Slickrock
Denny Zeitlin, As Long As There's Music
(Venus records, 1998)
Denny Zeitlin/Charlie Haden, Time Remembers One Time Once
(ECM Records, 1983)
Denny Zeitlin, Invasion of the Body Snatchers
(United Artists, 1978)
Denny Zeitlin, Syzygy
(1750 Arch Records, 1977)
Denny Zeitlin, Expansion
(1750 Arch Records, 1973)
Denny Zeitlin, Zeitgiest
(Columbia Records, 1967)
Denny Zeitlin, Live at the Trident
(Columbia Records, 1965)
Denny Zeitlin, Carnival
(Columbia Records, 1964)
Denny Zeitlin, Cathexis
(Columbia Records, 1963)
Jeremy Steig, Flute Fever
(Columbia Records, 1963)Photo Credits
All Photos Courtesy of Denny Zeitlin