Demetrius "DJ" Turner II: Hope For The Future

Mikayla Gilbreath By

Sign in to view read count
Every musician has to do their part to keep this music alive.
Demetrius 'DJ' Turner II We've all heard comments about jazz being "the music of old men," and an art form with a questionable future. Then along comes young Demetrius "DJ" Turner II, whose performances have garnered the admiration of thousands, before he's even old enough to drive a car! Jazz enthusiasts lucky enough to hear him play such old school classics as "Take Five," "'Round Midnight," and "Georgia On My Mind" frequently comment that "he doesn't play like a kid—he plays like a man!" Turner's prodigious talent and demonstrated commitment should give everyone reason to have confidence in the future of jazz.

As is the case with many extraordinary musicians, Turner began his journey into the music world at an early age. Turner received his first saxophone (as a present for his tenth birthday) from his grandfather, Vewiser J. Turner Sr., who was himself a top jazz musician in Houston, Texas. This gift was of particular significance to Turner, because his beloved grandfather had just been diagnosed with terminal cancer.

"I was very close to my grandfather," says Turner, "Every time I would go down to Houston, I'd bring my saxophone, and we'd play together. He took me to one of his recording [sessions] and I actually played in it...and got a solo, when I was about twelve.

"I first started playing an instrument in elementary school," Turner concludes. I came in late to the [first] class, and they had already given out all the saxophones. But since I had the sax my grandfather had given me, the teacher let me go ahead and start training with the saxophone."

Turner immersed himself in learning to play his new instrument, and just three years later he performed in front of an audience of 20,000 at Madison Square Garden. It was the opening game of the season for the New York Knicks basketball team. Part of the pre-game entertainment was a children's talent contest. At age thirteen, in front of a large crowd that could have intimidated many professional musicians, Turner performed confidently and won First Place in the competition.

That same year (2005), Turner also played at the Apollo Theater, winning yet another talent contest at the very venue which also launched the careers of James Brown, Michael Jackson, and Stevie Wonder. "I felt a little scared then," Turner explains. "I went on after this kid that was a dancer. When I got to the microphone, I just closed my eyes and waited. I started playing, and the background musicians were playing with me. The audience was applauding like crazy. It was an amazing night." Turner's meteoric thirteenth year of life also included a performance at the United Nations in New York City.

align=center>Demetrius 'DJ' Turner II Turner playing to children as part of the Vewiser Turner Sr. Youth Jazz Educational Foundation

In 2006, Turner became the youngest recipient ever of the John Coltrane Scholarship Award, and received the Musical Excellence Award from the National Organization for the Arts. One highlight from 2007 was his performance at a fundraiser for the Marian Wright-Edelman (Children's Defense Fund) Library which was attended by Senator Hillary Clinton. He also performed that year at the National Association for Home Care & Hospice's 20th Annual Caring Awards in Washington, DC, in front of an audience that included Senator Robert Dole. In April 2007, Turner was called "the most sought after young jazz entertainer in the Delaware Valley" by The Delaware Chapter of The National Organization for the Arts.

At age fifteen, Turner continues to "wow" large audiences. Recently, he entertained a crowd of thousands when he provided the opening music for Senator Barack Obama's Presidential campaign rally in Wilmington, Delaware. Senator Obama himself commented, "I loved the music!" Senator Obama is not alone in that sentiment. Often, at the completion of one of Turner's performances, before he even leaves the venue, someone in the crowd will request contact information to book Turner for a future gig.

Although Turner outwardly exudes confidence even when performing before huge crowds, he admits that the experience can be somewhat stressful. "I was very excited for Madison Square Garden and the Apollo Theater," he states. "But when I played at the Obama rally, we were getting started, we were testing, and everyone started crowding around and I was getting nervous. It's like I lose confidence in myself when I'm doing that. I don't know why...I don't know how the crowd is gonna react...yeah, more opinions out there than with a smaller audience. It's easier to get along with a smaller audience."


More Articles

Read Tim Bowness: Ghost Lights and Life Sentences Interviews Tim Bowness: Ghost Lights and Life Sentences
by John Kelman
Published: February 19, 2017
Read Laura Jurd: Big Footprints Interviews Laura Jurd: Big Footprints
by Ian Patterson
Published: February 16, 2017
Read Rick Mandyck: The Return From Now Interviews Rick Mandyck: The Return From Now
by Paul Rauch
Published: February 3, 2017
Read The Wee Trio: Full of Surprises Interviews The Wee Trio: Full of Surprises
by Geno Thackara
Published: January 27, 2017
Read Clarence Becton: Straight Ahead Into Freedom Interviews Clarence Becton: Straight Ahead Into Freedom
by Barbara Ina Frenz
Published: January 19, 2017
Read "Tony Monaco: Taking Jazz Organ to the Summit" Interviews Tony Monaco: Taking Jazz Organ to the Summit
by C. Andrew Hovan
Published: August 31, 2016
Read "Ashley Kahn: The Making of the Miles Davis Masterpiece" Interviews Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
Published: November 30, 2016
Read "Nick Brignola: Big Horn, Strong Words" Interviews Nick Brignola: Big Horn, Strong Words
by Rob Rosenblum
Published: October 30, 2016
Read "Gideon King: New York and Music" Interviews Gideon King: New York and Music
by Sammy Stein
Published: April 24, 2016
Read "Nat Hentoff: The Never-Ending Ball" Interviews Nat Hentoff: The Never-Ending Ball
by Ian Patterson
Published: January 9, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!