206

Jessica Williams: Deep Monk

Dan McClenaghan By

Sign in to view read count
Jessica Williams: Deep Monk Do we really need another tribute to Thelonious Sphere Monk? Everybody who is anybody in the jazz game has put a Monk song on an album. Some have been so bold as to dedicate an entire album to the odd and angular songs full of playful dissonance and unexpected angles.

Not easy tunes to play, they say. But the jazz family patriarch, Ellis Marsalis, does a masterful job of it on An Open Letter to Thelonious (ELM Music, 2008), employing, as Monk did almost exclusively in the masterful twilight years of his career at Columbia Records, a quartet fronted by a saxophone.

Pianist Jessica Williams, with Deep Monk, goes another route: playing Monk compositions—and tunes that Thelonious made his own: "Easy Street," "April in Paris," "Ghost of a Chance"—solo, a mode that Monk didn't go to often enough.

Williams' jazz world profile isn't where it should be, and her decision to forgo the major label game and sell only from her own website—a la ArtistShare—might contribute to a lower recognition factor. But listening to Tatum's Ultimatum (Red and Blue Recordings, 2008) or Songs for a New Century Origin Records, 2008) makes clear that Williams ranks with Keith Jarrett, or beyond.

Deep Monk does the same.

Monk himself closed his excellent and somewhat overlooked live album, Misterioso (Riverside Records, 1958), with its title tune, and Williams closed her own Live at Yoshi's, Volume One (MaxJazz, 2004) with it. She opens Deep Monk with that same, familiar melody, on a take that gets deep into the pensive beauty of Monk's mind.

Throughout the set—on classic, beautiful gems like "Crepuscule With Nellie," "Ugly Beauty," and "Blues Five Spot"—Williams explores the music of Monk with respect, alongside her own small flourishes and moments of unalloyed joy. She seems a perfect soul mate for that giant of jazz.

So, do we really need another Monk tribute? You're damned right we do: Deep Monk.


Track Listing: Misterioso; April in Paris; Easy Street; Ugly Beauty; Crepuscule With Nellie; Monk's Mood; I Should Care; Ghost of a Chance; Blues Five Spot.

Personnel: Jessica Williams: piano.

Year Released: 2008 | Record Label: Red and Blue Records | Style: Straight-ahead/Mainstream


Shop

CD/LP/Track Review
Extended Analysis
Interviews
Extended Analysis
CD/LP/Track Review
Read more articles

More Articles

Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read Before The Silence CD/LP/Track Review Before The Silence
by John Sharpe
Published: February 24, 2017
Read Process And Reality CD/LP/Track Review Process And Reality
by Mark Corroto
Published: February 24, 2017
Read Masters Legacy Series, Volume 1 CD/LP/Track Review Masters Legacy Series, Volume 1
by Edward Blanco
Published: February 24, 2017
Read Backlog CD/LP/Track Review Backlog
by Mark F. Turner
Published: February 24, 2017
Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read "Afternoon In Paris" CD/LP/Track Review Afternoon In Paris
by Chris Mosey
Published: June 16, 2016
Read "Everyone Is Everyone Else" CD/LP/Track Review Everyone Is Everyone Else
by Glenn Astarita
Published: December 13, 2016
Read "Stripped" CD/LP/Track Review Stripped
by James Nadal
Published: August 22, 2016
Read "Now Hear This!" CD/LP/Track Review Now Hear This!
by C. Andrew Hovan
Published: February 7, 2017
Read "The Last Remaining Payphone in L.A." CD/LP/Track Review The Last Remaining Payphone in L.A.
by Paul Naser
Published: October 18, 2016
Read "Taylor Street" CD/LP/Track Review Taylor Street
by Roger Farbey
Published: November 3, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!