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With his program of eight original compositions, clarinetist and alto saxophonist Alex Kontorovich combines klezmer with modern jazz on Deep Minor, his debut as leader. While expressing the exotic nature of his quartet's unique sound, the title also reflects the spiritual feelings evident in the music.
Progressive in concept, the album soars with genuine emotion, a sincere combination of the acoustic tradition and more contemporary textures. The leader's clarinet floats aloft like a human voice and his alto saxophone, while bright and high-stepping, wraps up the quartet in a warm coat of everyday conversation. Kontorovich makes you feel as though you're talking to a friend.
Brandon Seabrook adds electric guitar, banjo and electronics to the session, while bassist Reuben Radding and drummer Aaron Alexander maintain a solid rhythmic foundation. The solo work from bass and guitar prove particularly emphatic, though Kontorovich ensures that his ensemble maintains a cohesive front.
The cultural ties Kontorovich brings in from his native Russia are never far from reach, as impressions embedded in his program range from mournful prayer to joyous celebration. "AfroJewban Suite takes off like "A Night in Tunisia while "New Orleans Funeral March goes over the top with an alto tirade. Much of the album concentrates on klezmer however, the leader's clarinet making a particularly strong impression. Deep Minor has the kind of irresistible appeal that makes us cry out for more.
Track Listing: Transit Strike Blues; Kandels Burning; New Orleans Funeral March; Waltz for Piazzolla; Sirba; Nossim Hora; AfroJewban Suite; Tzitzit.
Personnel: Alex Kontorovich: clarinet, alto saxophone; Brandon Seabrook: electric guitar, banjo, tapes; Reuben Radding: double-bass; Aaron Alexander: drums.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.