With the possible exception of "love" and "you," "moon" enters as a most-welcomed word-muse to performers, composers and lyricists. When "jazz organ" enters into that equation, the expected aural summation might be the blues-infused funk of Jimmy Smith
or the steamy straight-ahead of Joey DeFrancesco
from multi-keyboardist/composerand now leaderRon Oswanski
, is a performance surprise that's full-moon bright and thoroughly invigorating. It's a predominantly organ-centric excursion across a series of contemporary-flavored originals and surprisingly-selected established compositions that soars.
Oswanski, a valued sideman with Maynard Ferguson
's Big Bop Nouveau, trumpeter Carl Fischer
's Organic Grooves
, Organik Vibe Trio
and others, takes command here musically and compositionally. Performing with flair on organ, accordion and piano and backed by an outstanding team well-acquainted in the style, Oswanski solidifies himself as a most able explorerand composer of more contemporary material in the ECM vein.
Guitarist John Abercrombie
, no stranger to that genre, brings significant gravitas
to this fine effort without overshadowing his mates. Saxophonist Tim Ries
delivers interpretations with superb lyrical, dynamic shadings. Jay Azzolina
's guitar, while Abercrombie-inspired, is an original and welcomed voice and bassist John Patitucci
lays down a solid foundation. Drummers Clarence Penn
and Ian Froman
energize the material by way of solid communication with the ensemble and soloists.
The shrewdly-chosen selections are drawn from diverse sources ranging from jazz to the rock worldsKenny Wheeler
's "Kayak" and Led Zepplin's "Rain Song," for example. Oswanski scripts seven intriguing tunes that provide gorgeous platforms for the multi-layered interpretations: "Milk of the Moon" and the hands-down killer title cut.
Never neglected by any jazz organist, there's straight-ahead ("80-80- 8," "Standard Tile") where Oswanski demonstrates he can cook with the more celebrated chefs in the organ kitchen. His accordion is a perfect sonic touch, fitting seamlessly on "Solo Por Undia" and the exotically-flavored "Ukrania Polka." His approach on that axe isas on all three instruments (piano on "Evanessence")highly expressive. He avoids cliché and obnoxious "Lady of Spain" technique displays.
While Nature's December's Moon might portend a deep, dark winter ahead, December's Moon
augurs a beautifully poetic performance experience from a stellar musician and his shining supporting stars.
Track Listing: White Meadow; Solo Por Undia; December's Moon; Ukrania Polka; Mercury
Retrograde; The Rain Song; Sleeping Beauty; 80-80-8; Milk of the Moon;
Standard Tile; Kayak; Evanessence.
Personnel: Ron Oswanski: Hammond B-3 Organ, piano, accordion; Tim Ries: tenor
saxophone, soprano saxophone; John Abercrombie: electric guitar (1, 5,
8, 9, 11); Jay Azzolina: acoustic guitar, electric guitar (2, 4, 6);
John Patitucci: bass; Clarence Penn: drums, percussion (2-4, 6, 12); Ian Froman: drums (1, 5, 7-10.
Year Released: 2013
| Record Label: Palmetto Records
| Style: Modern Jazz