Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


December 2004

Glenn Astarita By

Sign in to view read count

Dimuzio is one of the few electro artists whose work and more importantly, methods of working can be traced back to roots in the '50s and '60s—in some ways accomplishing things that the masters only wished they could have accomplished. And although technology has allowed electronic music to proliferate, those who are truly advancing the art are comparatively few in numbers.

Bill Cobham's Culture Mix


IN + OUT Records

Billy Cobham's now legendary drumming prowess is highlighted here, however steel pan wizard Junior Gill remains at the forefront during this upbeat multicultural spin on jazz-fusion. Marked by breezy melodies, solid backbeats and a few blitzing time changes, this set conveys the totality of group-based camaraderie. Cobham ventures into turbo mode on occasion amid some wailing guitars, as Gil's steel pan work imparts a resplendent sheen throughout!


Everything But An Answer


Mysterymen hail from the U.K. And with this release, they strike an odd balance between pop-inflected techno/dance music complete with catchy themes and serious minded EFX implementations. They also sing through vocoders, translating into humanoid like vocal attributes. At the end of the day, the band conveys a great deal of magnetism alongside an irrefutably, congenial persona.

Greg Wall

Later Prophets


New York City saxophonist Greg Wall is a veteran of various downtown scene jazz-klezmer bands, among other projects. This delightful recording consists of spaced-out grooves, largely due to Shai Bachar's moody and ethereal synth-based ventures. Wall subliminally injects Jewish folk choruses into the grand scheme of things also featuring plaintive cries, foot-stomping beats and gobs of slanted imagery. At times bizarre, yet satisfyingly palpable and entertaining.

Ivo Perelman/Dominic Duval/Jackson Krall
Black On White

Clean Feed Records

Avant-garde tenor sax titan Ivo Perelman and the trio paint a stark picture while mimicking the album title. Nonetheless, intensity and sinuous rhythmic movements rule the roost here. Perelman blows hard via sequences of mammoth lines and soul-stirring sentiment. Moreover, Dominic Duval (bass) and Jackson Krall (drums) receive ample opportunities to extend or deconstruct various theme sequences.

Russell Gunn

Ethnomusicology Vol. 4: Live In Atlanta

Justin Time

Electric trumpeter Russell Gunn blends a touch of Miles Davis' plugged in era with a turntablist, percussion, keys, guitar and a rhythm section for this pumped up set. No doubt, Gunn is a vivacious performer who obviously doubles as a crowd pleaser here. The band skirts the jazz genre along with funk and other stylizations. Strong soloing adds to the excitement...

Bruno Råberg


Orbis Music

Bassist/educator Bruno Råberg performs with top-flight East Coast jazz musicians, including world-renowned guitarist Mick Goodrick. Simply stated, this is Råberg's most compelling outing to date. Performing within a nonet, Råberg mans the helm with profoundly booming lines. But it's the bassist's captivating arrangements and melodic compositional attributes that elevate this program to lofty heights. Consider this wonderful album to be counted among the top 10 or 20 picks for 2004.

King's X

Live All Over The Place

Metal Blade Records

This hard rock trio has been a viable force for over twenty years. This 2-CD set highlights the group's live show featuring a quasi-unplugged series of pieces and a killer spin on Jimi Hendrix's "Manic Depression." The band intersperses elements of soul-funk into its arsenal, while also going for the proverbial jugular on occasion. And besides some silly teen-like stage banter, the musicians do transmit an affable and largely upbeat demeanor to complement their respectable chops.


comments powered by Disqus

More Articles

Read August 2007 New & Noteworthy August 2007
by Glenn Astarita
Published: August 29, 2007
Read July 2007 New & Noteworthy July 2007
by Glenn Astarita
Published: August 4, 2007
Read June 2007 New & Noteworthy June 2007
by Glenn Astarita
Published: June 23, 2007
Read May 2007 New & Noteworthy May 2007
by Glenn Astarita
Published: May 20, 2007
Read April 2007 New & Noteworthy April 2007
by Glenn Astarita
Published: April 18, 2007
Read March 2007 New & Noteworthy March 2007
by Glenn Astarita
Published: March 21, 2007
Read "WAR with Malo At Stern Grove" Live Reviews WAR with Malo At Stern Grove
by Walter Atkins
Published: August 27, 2017
Read "Cathing up with Lee Konitz" Catching Up With Cathing up with Lee Konitz
by Lazaro Vega
Published: April 23, 2017
Read "Jazz, Suffering, and Meaning" What is Jazz? Jazz, Suffering, and Meaning
by Douglas Groothuis
Published: November 23, 2017
Read "Siena Jazz International Summer Workshop" Live Reviews Siena Jazz International Summer Workshop
by Bruce Lindsay
Published: August 8, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!