Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

132

Andrew Rathbun-Owen Howard Quintet: Days Before and After

By

Sign in to view read count
Jazz is about more than soloing. The real meat of the music is in the collective interplay of the ensemble, the responses of one musician to what another has just done, all in real time: this is happening right now. You're not going to find a more fascinating demonstration of unique musical communication than Days Before and After, the new CD from the Andrew Rathbun-Owen Howard Quintet. Both saxophonist Rathbun and drummer Howard are mainstays of the New York jazz scene—Rathbun by way of Toronto—and both are fine composers. What's remarkable is how compatible their compositions are; there is neither excessive sonic dissimilarity nor discernible difference in quality between their material.

The quintet's filled out by bassist John Hebert and guitarists Ben Monder and Toronto ringer Geoff Young—two guitarists? It's an accomplishment in itself that such a lineup could avoid making a guitar album, no matter who the ostensible leaders of the group might be. But Monder and Young are acutely sensitive players, and they, Howard and Hebert combine synergetically, even alchemically on this session, giving Rathbun a perfect and endlessly absorbing environment for his tenor and soprano work.

Rathbun's got a unaffected, plangent tone on both tenor and soprano sax; he's got a clear-minded thematic precision in his soloing that makes a perfect contrast to the other four musicians, who seem to separate, shift, then dartingly reform, like schools of tropical fish in the ocean. After Rathbun's tenor solo on his composition "Darkness Before Light, listen to the way everyone changes time and accompaniment for Monder's solo, which starts out percussively, like steel drums—Young playing volume swells while Howard and Hebert ebb and flow, tying rhythmic knots—then ramps up into pointillistic melody. Howard's a drummer of considerable complexity but he manages to make the most thorny pattern sound open and airy; you wouldn't find it tricky until you tried to find the "one.

Howard's piece "Forward Motian, his tribute to drummer Paul Motian, shows how far this band can go. It begins with Howard playing a circular pattern using all of his kit—kick drum gloriously audible—while Hebert plays a slow, ominous, ascending bass line. Rathbun plays modally on tenor with Young and Monder's simultaneous, choppy comping alongside. Monder adds controlled feedback that turns into his solo, the band lurching forward into a slow, march-of-doom pattern, reminiscent of fellow NYC group Sonic Youth—before Rathbun restates the original theme of the song, now sounding somehow altered, experienced, even shell-shocked. Above reproach.

The rest of the CD is of similar quality. "Nomad is a Howard-penned piece with a world music, Arabic feel, buoyed by Hebert's bass vamp and showcasing Rathbun's majestic, octave-spanning tenor. Rathbun's "Hinge is a textural gem, with piping soprano over warm, chordal guitars: very ECM.

There's so much good music coming out of New York lately that it can be somewhat overwhelming. That said, one can't do better than Days Before and After; let's hope Rathbun and Howard keep this band together.

Track Listing: 1. Darkness Before Light 2. Missing the Sea 3. Forward Motian 4. Life as Crystals 5. The Whole Enchilada 6. There Will Come Soft Rains 7. Nomad 8. Hiccup 9. Hinge

Personnel: Andrew Rathbun: tenor, soprano sax; Owen Howard: drums; John Hebert: bass; Ben Monder: electric guitar; Geoff Young: acoustic, electric, fretless guitars

Title: Days Before and After | Year Released: 2005 | Record Label: Fresh Sound New Talent


Tags

comments powered by Disqus

More Articles

Read Acknowledgement CD/LP/Track Review Acknowledgement
by Don Phipps
Published: November 23, 2017
Read Lessons And Fairytales CD/LP/Track Review Lessons And Fairytales
by Jerome Wilson
Published: November 23, 2017
Read The Child in Me CD/LP/Track Review The Child in Me
by Friedrich Kunzmann
Published: November 23, 2017
Read The Way Home CD/LP/Track Review The Way Home
by Joe Gatto
Published: November 23, 2017
Read Shadow Work CD/LP/Track Review Shadow Work
by Phil Barnes
Published: November 22, 2017
Read Veterans of Jazz CD/LP/Track Review Veterans of Jazz
by Mark Sullivan
Published: November 22, 2017
Read "Sanctified" CD/LP/Track Review Sanctified
by C. Michael Bailey
Published: May 1, 2017
Read "Compass" CD/LP/Track Review Compass
by Edward Blanco
Published: May 28, 2017
Read "Samba Para a Vida" CD/LP/Track Review Samba Para a Vida
by Edward Blanco
Published: August 7, 2017
Read "New Helsinki" CD/LP/Track Review New Helsinki
by Roger Farbey
Published: April 8, 2017
Read "Reflections in Cosmo" CD/LP/Track Review Reflections in Cosmo
by Glenn Astarita
Published: March 16, 2017
Read "Live" CD/LP/Track Review Live
by Karl Ackermann
Published: September 14, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor