Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Dave Liebman: If I had $10 Million in the Bank!

AAJ Staff By

Sign in to view read count
If a person makes his own voice artificial in order to convince people, in order to be more audible, and in order to impress people, it only means he is not true to his spirit. —Inayat Khan
By Dave Liebman

There's no question that I am going to get pinned to the mat, condemned for being close minded, negative, purist, sour grapes and definitely politically incorrect for what I am writing. It is very specific, concerned with jazz musicians being hired to play in pop situations. It is not about musically "crossing over" which is another topic.

First of all, a few obvious points: Making a living playing creative music is hard enough without turning down good paying gigs, especially if they are musically passable (a separate question beyond this scope). Maybe the financial freedom which comes from a lucrative gig, even temporarily, means an artist can devote more time to his or her own art which is not a bad payback. On the "good vibrations" front, a friend mentioned the positive aspect of "musical generosity" which results when a jazz musician joins a pop artist to make music or by extension any stylistic crossover, something which can't be denied. And who is to say that such and such a pop artist is not as sincere in their music as I am in mine? This is what they do and of course if it communicates with people, all the better. (Unlike most serious jazz performed for as few people as possible it seems.) I remember discussing this with Chick Corea years ago. His opinion, at least from what I could gather (influenced by Scientology I suspect), was that the measure of artistic worth is its success at communication, which in theory has obvious merits concerning why we create in the first place, but as a guiding principle can get out of hand.

I am not in virgin territory when I discuss this subject. My wife, who is a jazz musician, and daughter are respectively fans of Aerosmith and selected hip hop along with Coltrane and Judy Garland'quite a combination in our household! The drummer in my present band has had a rock band for years. And for those who are not familiar with my background, I was sort of there at the beginning of so-called "fusion" with Miles Davis, several rock-jazz bands (Ten Wheel Drive, Sawbuck, Ellis-Liebman Band), my own first group Lookout Farm which included tablaist Badal Roy, and have recorded several times under my own name in that style. I write from experience, and more than anything I do so after several decades of maturing as a player and artist. I would not have written this some years ago, but thankfully we grow with time.

So here's the scenario. A pop or whatever style player wants to "expand" and hears so and so's voice as an improviser in their music. Usually, but not always, it is someone already well known which stands to reason since that it is who they would be aware of in the first place for obvious reasons. They are not about to spend time researching beyond the surface to check out lesser known artists of equal or more talent. Someone makes the call and asks would you be interested, offering more money than one could ever make in that period of time, be it a tour or recording (tour after of course) and so it goes. The pop person has crossed the proverbial tracks, entered the ghetto and offered the sky to someone who can't say no. Their gain is credibility, showcasing an artist with years of musical training and sophistication, who has in one way or the other made sacrifices for the music. It goes without saying that in the final result jazz people are the best all around musicians as a whole and can play most anything. Of course this package is paid for in cash. If it is a one time event like a recording, maybe this discussion is unnecessary, but in essence the principles remain the same.

Then the artist in question tells his boys: "You know, so and so's music is really pretty hip and deeper than you think. And you know, people might know me more after so it could help what WE do. (I can tell you that is rarely the truth.) Anyway, it is only for a short time and let's face it, the bread is nice."


comments powered by Disqus

More Articles

Read The Creative Music Studio Goes To College! Megaphone The Creative Music Studio Goes To College!
by Karl Berger
Published: September 10, 2015
Read Wein, June & Jazz Megaphone Wein, June & Jazz
by AAJ Staff
Published: June 13, 2010
Read Clean Feed Records: Looking Outwards Megaphone Clean Feed Records: Looking Outwards
by Pedro Costa
Published: May 16, 2010
Read Discoveries Along The Pitch Continuum Megaphone Discoveries Along The Pitch Continuum
by Amir ElSaffar
Published: April 11, 2010
Read Either/Or (No More) Megaphone Either/Or (No More)
by Darcy James Argue
Published: February 28, 2010
Read The Power in Music Megaphone The Power in Music
by Steve Colson
Published: February 3, 2010
Read "Ramon Valle: The Amsterdam transplant remains rooted in Cuba" Catching Up With Ramon Valle: The Amsterdam transplant remains rooted in Cuba
by Joan Gannij
Published: October 3, 2017
Read "Umbria Jazz 2017" In Pictures Umbria Jazz 2017
by Roberto Cifarelli
Published: July 31, 2017
Read "Mark Corroto's Best Releases of 2016" Best of / Year End Mark Corroto's Best Releases of 2016
by Mark Corroto
Published: December 16, 2016
Read "Johnaye Kendrick: In The Deepest Way Possible" Interview Johnaye Kendrick: In The Deepest Way Possible
by Paul Rauch
Published: March 8, 2017
Read "The Songs of Scott Walker (1967-70) at Royal Albert Hall" Live Reviews The Songs of Scott Walker (1967-70) at Royal Albert Hall
by John Eyles
Published: August 19, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor