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Dave Liebman

Jack Gold-Molina By

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AAJ: How do you see yourself growing musically over the next few years? Do you have any future projects in mind?

DL: Well, I would like to continue with this group as long as I can. As I said, I like the home feeling of empathy. And I don't go like that. I go, you know, it's project to project. I like to play with other musicians here and there, but the thing is you can always get better on your instrument. I wish I had the time to devote to that. You can get the soprano better, you know, I can just get things better. That's how I look at it. That is something that goes on until the day you die. You get better on your instrument. And the better you get on your instrument the more you are able to translate your feelings and the music to a higher level, but you've got to be better on your instrument to do that (laughs), and that takes time and playing which we have a limited amount of. So, in a way, if I would say the same thing I want to do, I just want to play as much as I can play. That's enough of a challenge these days that it becomes almost the thing that you have to do. How do you play as much as you have to play in this day and age when there are less opportunities to play? So that becomes almost the thing. I don't want to take it away from music but that's almost the thing, which is, I just want to be able to get that horn in my mouth as much as possible in a good situation. That's becoming enough of a challenge that it takes up most of my time.

AAJ: Do you think it is more of a challenge today than it was 10, 20, 30 years ago?

DL: It's almost beyond the ability to do it. The world has changed; things are different. It's not just us. It's pop music, it's everything. It's very, very hard to be creative. It's ridiculous. It's almost impossible. You have to be stronger than ever before. On the other hand, the young guys are more equipped today. But for guys like us, we have a little reputation and we can keep going. We always find a little pocket to play in and we'll just keep doing that until the end. But you have to keep your health most of all. You have to keep your inspiration - get up every day - and then you have to create work, situations that you can do. It's a very practical thing, in a way. Musically, I don't even think about it as much as I think about practicality. How are we going to get the gig? How long do we have to drive? What do we have to do tomorrow? Unless I don't have a stage, I don't have a problem. I don't have to think about that. You know, we are good guys, we'll get this. Things take care of themselves, you know, when we are good musicians.

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Photo Credit
Jack Gold


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