Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Da Capo Best Music Writing 2002 & 2003

C. Michael Bailey By

Sign in to view read count
The Da Capo Best Music Writing series is an excellent way to see how one describes a polar bear in a snowstorm to a blind man.
I have been trying to write this review for the past two months. The Da Capo Best Music Writing series was started in 2000 and I previously reviewed in these pages the first two volumes, Da Capo Best Music Writing 2000 & 2001. Like those two volumes, the 2002 and 2003 editions of the series host precious few articles on jazz, and those are again by the usual suspects. Far and away the biggest difference between these two installments and the previous two is the inclusion of Hip-Hop pieces. Rap and Hip Hop culture has become a hot journalistic commodity. The hip Hop journalism that results is like the music and culture it sets out to define?it is in-your-face detached, profane, divine, and informative. What it is not is particularly focussed and I suspect that is by design. That said, I recommend that the reader look at Nic Cohn?s ?Soljas? (Granta) and Franklin Bruno?s ?The New DJs Lexicon? (Feed) for the 2002 edition and Terry McDermott?s ?Parenteral Advisory: Explicit Lyrics? (Los Angeles Magazine) and G. Beato?s ?Not Bad for a White Girl? (Spin) from the 2003 edition.

That out of the way, there remains provocative writing in both releases and in is in sources common to both editions. The Village Voices? Gary Giddins is represented in both with his 2002 article on Louis Armstrong, ?Boom? (Village Voice) and his 2003 ?Post ?War Jazz: An Arbitrary Roadmap? (Village Voice). The latter is a list article that selects important recordings made in each year between 1945 and 2001 (Charlie Parker to Jason Moran) (Village Voice). Lists appear in the 2002 collection with Steve Erickson?s ?L.A.?s Top 100? (Los Angeles Magazine). Erickson details the 100 most important recordings to the culture of Los Angeles, beginning with Beck?s ?Loser? at number 100 and Sam Cooke?s ?A Change is Gonna Come? at number 1. The Onion makes it?s presence known with inclusion in both collections as does Greil Marcus, who?s 2002 interview will Kelly Hogan (?Days Between Stations: Kelly Hogan?) is at once empathic and insightful. Marcus? 2003 submission weaves Walter Mosely prose with Los Angeles in the 1950s.

The most notable articles for our readership are those that are Jazz or allied-genre musics. Matthew C. Duersten?s lengthy article in Flaunt on Anita O?Day (?The Moon Looks Down and Laughs?) is the finest writing in the 2002 edition. It provides keen insight into this controversial and important jazz artist?s life since the publication of her autobiography, High Times, Hard Times (Limelight, 1989). Needless to say, like Keith Richards, Miss O?Day has been living on gravy time for the past 20 years. Also, needless to say, Miss O?Day is the greatest living female jazz vocalist. Duersten?s sizzling prose captured the triumph of Miss O?Day?s appearance at the 1958 Newport Jazz Festival as captured in perhaps the first jazz documentary, Jazz on a Summer?s Day:

?As [John] Poole?s tom-toms ooze steadily out of the heat, O?Day at first appears to be engaging in a mating dance with the mike stand. (Dick Cavett once observed, did any singer so completely hold sway over microphones as she?) Her first words float in from nowhere: ?Noo-oo-oo-ooooo gal-maaaidd-has-got-a-shaaade-on-Sweet Geoooorgia Brown?? she shifts, tilting her head with one glove raised: ?Theeeyyy all-sigh-and-wah-nah-dieeee / For Sweeeeet Gee-oh-gia Brown / I?ll tell ya why?I do?t liiieeee?? Pause, smirk. ??Much!? She bobs her head like a pigeon, bouncing on the balls of her feet: ?TWO. LEFT. FEET. / Oh! SO neat!? The sinewy intro last a full two minutes?O?Day reducing her voice to barely a peep and the music threatening to peter out completely. Then, like saying achtung, she is off: IT?s / been-SAID-she / KNOCKS / them-dead / WHEN SHE la-ah-ands / on tooo-ooown?? Leaning her head almost out of the frame, she starts the note away from the mike, bringing it gradually back, slicing the air in half: ??eeeeEEEEEET Geeeor-GAH Bro-owwn?? She curls her lips?pronouncing the last word ?Braun? and dropping her voice low?and her famous teeth, which seem to jut out of her mouth at a 120-degree angle, make her look like she is engaged in some devilish private joke.

Another superb bit of writing form the 2002 collection is from the first of two articles eulogizing Joey Ramone, Lenny Kaye?s ?A Ramone Leaves Home: Joey 1951-2001? (Village Voice):

?Oh, you couldn?t hear [the Ramones] on Top 40, but that was their alternative cross to bear. Instead, the Ramones imagined their own stations of the cross, involking a golden age of ?Do You Remember Rock n? Roll Radio? (?Let?s Go?), situated in ?Rock n? Roll High School? with Phil Spector production to prove it?

That is crackling good writing.


comments powered by Disqus

More Articles

Read Listening For The Secret: The Grateful Dead And The Politics Of Improvisation Book Reviews Listening For The Secret: The Grateful Dead And The...
by Ian Patterson
Published: December 10, 2017
Read All That's Jazz Book Reviews All That's Jazz
by Phil Barnes
Published: December 6, 2017
Read Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine Book Reviews Sticky Fingers: The Life and Times of Jann Wenner and...
by Doug Collette
Published: November 18, 2017
Read Claude Ranger: Canadian Jazz Legend Book Reviews Claude Ranger: Canadian Jazz Legend
by David A. Orthmann
Published: November 15, 2017
Read Softly, With Feeling Book Reviews Softly, With Feeling
by Richard J Salvucci
Published: October 24, 2017
Read Good Things Happen Slowly: A Life In And Out Of Jazz Book Reviews Good Things Happen Slowly: A Life In And Out Of Jazz
by Mark Corroto
Published: September 13, 2017
Read "All That's Jazz" Book Reviews All That's Jazz
by Phil Barnes
Published: December 6, 2017
Read "Softly, With Feeling" Book Reviews Softly, With Feeling
by Richard J Salvucci
Published: October 24, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!