All About Jazz

Home » Articles » CD/LP/Track Review

3

Stephen Inglis: Cut The Dead Some Slack

Doug Collette By

Sign in to view read count
Guitarist/vocalist Stephen Inglis' take on the Grateful Dead, Cut The Dead Some Slack, constitutes a logical extension of that iconic band's idiosyncratic approach to making music. A more succinct approach than a two-CD set might've heightened the impact of this project, but regardless, the wide range of material this man chose highlights just how inspiring are these superlative songs (and some on-line resources label this package as a 'Deluxe Edition,' though it's not readily apparent if another version exists).

Inglis might better have rendered any number of tunes here strictly as instrumentals, from the opening of "Scarlet Begonias" to the predictable but nonetheless effective conclusion to compact disc one, "Brokedown Palace." That said, this album is not by any means merely a novelty item because it hearkens directly to the acoustic roots of a band that eventually transcended those influences on latter-day tunes like "Standing On The Moon. "

Bonus live tracks with a quintet anointed the 'Stephen Inglis Project' proffer a slightly more extemporaneous take than the thirteen roughly five-to ten-minute studio recordings that comprise the bulk of this title. That said, despite the well-intentioned and affectionate intent, the interactions of the namesake with the keyboardist Eric Petersen, bassist Jon Hawes and drummer Steve Howells plus guitarist/vocalist David Gans, don't quite leave the indelible imprint of Inglis' largely solo tracks (though do point up how unique is his approach).

The segue into "Lazy River Road" is merely an inkling of the spell Inglis can cast with his playing alone. Moving wordlessly from "Dark Star" to "Wharf Rat" then back again, becomes absolutely enrapturing in the way this guitarist using the Hawaiian 'slack key' technique of loosening the strings of the instrument to create more resonance. Meanwhile, his precise picking on the quick intro to "Cassidy" is mesmerizing; it's no real criticism of Stephen's voice to state that the phrasing of his singing, whether carefully enunciated on "Ripple" or tunefully intoned on "Bertha," is no match for his incisive playing, but only that his technique is so distinctive.

So, it's a wise move of engineer/co-producer Chris Lau's to highlight the musicianship in his stereo mix and thus preserve the spontaneity of the man's playing, even as overdubs are incorporated into the basic tracks, as described by Blair Jackson in his lengthy essay within the enclosed booklet. Inglis very often sounds like his interpretations are a means to rediscovery of the highly-nuanced beauty in songs like "Days Between," and he's able to highlight both the craft and the serendipity at the heart of such creations, much as he did with his homage to Bob Dylan, Slackin' On Dylan ('aumakua Records, 2010).

It's little wonder this bonafide gem of latter-day compositional collaboration between Jerry Garcia and lyricist Robert Hunter appears twice here, but that sensation of epiphany recurs so regularly during Cut The Dead Some Slack, the album beckons to both Deadheads and music lovers in general as an enlightening route to deeper comprehension and appreciation of this music's deceptively subtle attractions.

Track Listing: CD 1: Scarlet Begonias; Lazy River Road; Cassidy; Ship Of Fools; Days Between; Ripple; Dark Star; Wharf Rat; Dark Star; Brokedown Palace. CD 2: Bertha; Standing On The Moon; It Must Have Been The Roses; Birdsong; Jam; Stella Blue; Days Between.

Personnel: Stephen Inglis: Hawaiian slack-key guitar, lead guitar, guitarele, electric guitar, vocals; David Gans: acoustic guitar, harmony vocals; Eric Petersen: keyboards; Jon Hawes: bass; Steve Howells: drums.

Title: Cut The Dead Some Slack | Year Released: 2018 | Record Label: Rhythm & Roots

Tags

Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Related Articles

Read Return to the Future CD/LP/Track Review
Return to the Future
by Mark Sullivan
Published: November 17, 2018
Read Telepathy CD/LP/Track Review
Telepathy
by Chris Mosey
Published: November 17, 2018
Read The Whole Thing Is Just There CD/LP/Track Review
The Whole Thing Is Just There
by John Bricker
Published: November 17, 2018
Read Haydn: Symphony No. 39, Symphony No. 87, Mozart – Sinfonia Concertante CD/LP/Track Review
Haydn: Symphony No. 39, Symphony No. 87, Mozart –...
by C. Michael Bailey
Published: November 17, 2018
Read Rogue Star CD/LP/Track Review
Rogue Star
by Glenn Astarita
Published: November 17, 2018
Read Out in the Open CD/LP/Track Review
Out in the Open
by Jack Bowers
Published: November 16, 2018
Read "No Revenge Necessary" CD/LP/Track Review No Revenge Necessary
by Doug Collette
Published: May 16, 2018
Read "Picture in Black and White" CD/LP/Track Review Picture in Black and White
by Victor L. Schermer
Published: October 15, 2018
Read "Works for Two Chapels" CD/LP/Track Review Works for Two Chapels
by Karl Ackermann
Published: March 27, 2018
Read "Yes, and...Music for Nine Improvisers" CD/LP/Track Review Yes, and...Music for Nine Improvisers
by Troy Dostert
Published: July 6, 2018
Read "Dreams And Other Stories" CD/LP/Track Review Dreams And Other Stories
by Dan McClenaghan
Published: September 22, 2018
Read "Safety Signal From A Target Town" CD/LP/Track Review Safety Signal From A Target Town
by Glenn Astarita
Published: June 10, 2018