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Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Karl Ackermann By

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Billy Krechmer (read his story), a South Jersey reed player with a penchant for Dixieland jazz, opened a modest space called The Jam Session on Ranstead Street in 1938. His business partner, saxophonist Nat Segall, sold out to Krechmer within a year and opened the Downbeat Club which was not related to New York's club of the same name. The Downbeat was—by all accounts—a successful club drawing recognized artists such as Dizzy Gillespie. But Segall was subjected to frequent raids by the Philadelphia police on the grounds of serving alcohol to minors. The local press strongly speculated that the rationale for the raids was actually the police department's disdain for Segall's permitting integrated audiences. Overwhelmed by the barrage of manufactured infractions, Segall closed the Downbeat in 1948. Krechmer, meanwhile, had renamed The Jam Session as Billy Krechmer's Music Room and he enjoyed a very long run, closing in 1966.

Two Broad Street intersections, South and Lombard Streets—were the locations of Pep's Musical Bar and the Showboat respectively. The Showboat was housed in what was once the Douglas Hotel, the location now marked with a plaque designating it as the one time residence of Billie Holiday. Gillespie, Miles Davis, Coltrane, Art Blakey, Julian "Cannonball" Adderley, Philly Joe Jones, Thelonius Monk and other notable names played the venue that was later renamed as the Bijou Café, with a more cross-genre calendar. Pep's Musical Bar had hosted Nina Simone, Yusef Lateef (who recorded a live album at the club), Nat "King" Cole, Count Basie, Ellington, Lester Young, Billie Holiday and Monk. At 15th Street and Ridge Avenue The Blue Note featured the Ray Bryant Trio as their house band with occasional appearances from Lester Young, Gillespie, Charlie Parker and Davis, whose quintet with Coltrane, Red Garland, Paul Chambers and Philly Joe Jones appeared at the club in 1956. Watts' Zanzibar (a precursor of the Zanzibar Blue) was a premier jazz site in the 1940s, attracting the top names in the genre. The Columbia Avenue location (now renamed as Cecil B. Moore Avenue) was a centerpiece of the neighborhood known as the "Golden Strip" where there were no fewer than one-dozen thriving jazz clubs. In 1964, three days of rioting, driven by claims of police brutality, destroyed more than two-hundred businesses on and nearby the largely black Columbia Avenue stretch and the jazz scene came to an abrupt, and almost complete end. With top venues such as Crystal Ball, 820 Club, Spider Kelly's, and North West Club now gone, it would be a slow—and somewhat diluted—rebuilding effort to bring a robust jazz scene back to Philadelphia.

Ortlieb's Jazzhaus (also referred to as Ortlieb's Jazzhaus/Brewery) was a converted bowling alley on North Third Street, giving the club a distinctly long footprint. A brewery in its second life, it opened as a jazz venue in 1987. In addition to their "haus band," Ortlieb's was frequented by trumpeter Terell Stafford, pianist Orrin Evans, Farid Barron, Cecil Payne and one-time Gillespie drummer, Mickey Roker. On occasion, a marquee name such as Sonny Rollins or Frank Morgan would drop in for a one-off gig. Closed and demolished in 2010, it reopened at a different Philadelphia location under the name Ortlieb's Lounge in 2012 but jazz was relegated to Tuesday nights. Zanzibar Blue was first housed in a storefront on 11th Street, remaining at that location from 1990 to 1996 at which time it moved into the historic Bellevue Hotel on South Broad Street. In its eleven year run, Zanzibar Blue hosted notable names such as Chick Corea and Chuck Mangione, but more often featured local talent. The Philadelphia Clef Club of Jazz and Performing Arts originated in 1966 through the Musicians' Protective Union Local #274 which was chartered in 1935 and is the oldest Black Musicians' Union in the U.S. "Jazz" was not added to the name until the mid-1990s. By charter, the organization's objectives are largely educational but through workshops, jam sessions, and performances at their own Clef Club, they provide the area with a wealth of live jazz presentations.

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Under the Radar Karl Ackermann Benny Moten Count Basie Joe Turner Charlie Parker Sonny Stitt Dexter Gordon Miles Davis benny golson Walter Dickerson McCoy Tyner Marilyn Crispell Marc Copland Joe Chambers Uri Caine Charles Fambrough Stanley Clarke Melody Gardot Jimmy Heath John Coltrane Albert Heath Percy Heath Kenny Barron Bill Barron Michael Brecker randy brecker duke ellington Dizzy Gillespie Benny Goodman Tommy Dorsey Glen Miller Billie Holiday Art Blakey Cannonball Adderly Philly Joe Jones Thelonius Monk Nina Simone Yusef Lateef Nat King Cole Lester Young Ray Bryant Red Garland Paul Chambers Terell Stafford Orrin Evans Cecil Payne Sonny Rollins Frank Morgan Chick Corea Chuck Mangione Gerald Veasley Charlie Hunter Jelly Roll Morton Kid Ory Lionel Hampton Wardell Gray Art Pepper Charles Mingus Ella Fitzgerald Cab Calloway Louis Armstrong Lena Horne Billy Eckstein wynton marsalis Modern Jazz Quartet Shelly Manne oscar peterson Herb Ellis Lennie Tristano Gerry Mulligan Dave Brubeck Chet Baker John LaPorta Serge Chaloff Herb Pomeroy Les McCann Milt Jackson Cannonball Adderley Keith Jarrett The Jazz Crusaders Joe Henderson Elvin Jones Alex Cline Nels Cline Monty Alexander Diane Schuur ernie watts Bill Frisell Kurt Rosenwinkel Scott Colley Brian Blade Edward Simon Randy Weston Herb Alpert Artie Shaw Johnny Hodges Harry Carney Roy Haynes Sidney Bechet Charlie Mariano Jaki Byard Nat Pierce Mingus Big Band David Sanborn arturo sandoval Frank Foster Roland Hanna Donald Byrd Alice Coltrane James Carter Geri Allen Kenny Garrett Betty Carter Dewey Redman Joshua Redman George Shearing Joe Williams Woody Herman Jessica Williams abdullah ibrahim Terence Blanchard Chuck Israels Larry Bunker
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