Celebrating the release of 12 Songs (Cryptogramophone, 2005), violinist Jenny Scheinman assembled a string orchestra to augment her septet in performance at New York's Tonic. The addition enlivened the buoyant melodies and spurred the soloists with lush accompaniment. The thrilling results prompted Scheinman to write more for this instrumentation on Crossing the Field, her fifth and most ambitious CD to date.
She uses the string section as an integrated voice that interacts with, rather than playing alongside, the other instruments. On "Born into This," the strings weave a lilting cushion for the leader's solo, punctuated by Jason Moran's tinkling piano. "I Heart Eye Patch" finds bassist Tim Luntzel and drummer Kenny Wollesen propelling the ensemble with a bouncy march, eliciting a spry retort from the strings. Moran's bluesy rumbles unfurl over the mid-tempo groove of "Hard Sole Shoe," with clever embroidery from the orchestra. More traditionally, the strings swell with romantic sweeps over "Ana Eco" and dynamically shift from hushed whispers to dramatic flourishes on the cinematic "Einsamaller," recorded at the Tonic show.
Songs for smaller groupings temper the orchestra pieces, including two for violin, piano and drums. Moran stretches on "That's Delight," inverting the melodic line, and sparring with the leader on Duke Ellington's "Awful Sad," the sole cover. Bill Frisell's shimmering guitar colors the piano theme of "Processional," its sparse movement accentuated with rolling cymbals and Doug Wieselman's clarinet. He struts over the Afro-beat of "Song For Sidiki," as Scheinman's soaring line plays off the irrepressible groove. Cornetist Ron Miles gallops a call to the races for "Three Bits and a Horse," a feature for his horn and the punchy rhythm.
Filtering a wealth of stylistic influencestraditional and contemporary, American and internationalScheinman has honed a sincere, personal expression, its breadth revealed in the elegant sonority of Crossing the Field and the poignant musings on her simultaneously released eponymous vocal debut.
Track Listing: Born Into This; I Heart Eye Patch; That's Delight; Ana Eco; Hard Sole Shoe; Einsamaller; Awful Sad; Processional; The Careeners; Three Bits And A Horse; Song For Sidiki; Ripples In The Aquifer; Old Brooklyn.
I love jazz because it is both challenging and exhilarating, and the endeavor of improvisation is the highest form of art.
I met so many great musicians--including my two earliest heroes, Maynard Ferguson and Dizzy Gillespie--by attending concerts
and being willing to treat them with the respect they deserve.
The best show I ever attended was the Pat Metheny/Ornette Coleman Song X concert at Cornell University.
The first jazz record I bought was an RCA compilation by Dizzy Gillespie.
My advice to new listeners is to not be afraid to listen to something because you're not familiar with the artists or the band or
the genre or anything - this is music that is best experienced through discovery.