141

William Hooker: Crossing Points

John Sharpe By

Sign in to view read count
William Hooker: Crossing Points After his well-received Earth's Orbit (No Business Records, 2010), drummer/composer William Hooker raids the archives for Crossing Points, drawn from a 1992 New York City date with saxophonist Thomas Chapin. The drummer has straddled the free jazz and noise camps, but here almost merges the two in a 76-minute program where the energy levels barely move out of the red. Chapin, whose early death from leukemia in 1998, at the age of 40, thwarted a career that sought to gloriously integrate downtown experimentalism into the mainstream, digs deep just to hold on.

Hooker is elemental, a roaring undertow full of controlled power. Once again he demonstrates his facility at sustained long form invention, lending the three improvisations the feel of spontaneous composition. In response the saxophonist alternates repeated motifs extended into yapping over-blowing, with slower melodic passages which take on a majestic grandeur as a result of the contrast.

Appropriately perhaps, "The Subway" initially suggests the white noise of an approaching train, until the sound slowly comes into focus as a saxophone drone and continuous drum roll. It's an uncompromising start, but one that sets the template for this set. They don't come up for air until 15 minutes in, when the pressure eases off slightly and Chapin's soaring alto reaches escape velocity to break clear of Hooker's gravitational pull.

An incremental opening to "Addiction to Sound" evinces more open textures with Hooker rhythmically striking a tambourine accompanied by what resembles a trumpeting elephant, but which the liner notes explain as Chapin blowing onto his reed from underneath. The resultant ritual pulse inspires a slow burning reaction from the reed man as their journey continues. Pitched midway between the two previous cuts in terms of density, "The Underground Dead" includes an astonishing passage of vocalized saxophone invective from Chapin, before an attractive elegiac section for somber alto and Hooker's rolling mallet work.


Track Listing: The Subway; Addiction to Sound; The Underground Dead.

Personnel: William Hooker: drums; Thomas Chapin: alto saxophone.

Year Released: 2011 | Record Label: NoBusiness Records | Style: Modern Jazz


Shop

More Articles

Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read Love Dance CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read Honest Woman CD/LP/Track Review Honest Woman
by James Nadal
Published: February 20, 2017
Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read "Live in Concert" CD/LP/Track Review Live in Concert
by David Becker
Published: January 30, 2017
Read "Everything's Gonna Be Great" CD/LP/Track Review Everything's Gonna Be Great
by Jack Bowers
Published: June 17, 2016
Read "All These Hands" CD/LP/Track Review All These Hands
by Dan Bilawsky
Published: December 20, 2016
Read "Linus + Skarbø / Leroux" CD/LP/Track Review Linus + Skarbø / Leroux
by Dave Wayne
Published: April 21, 2016
Read "Live at Club Helsinki" CD/LP/Track Review Live at Club Helsinki
by Karl Ackermann
Published: January 2, 2017
Read "Playing the 60s" CD/LP/Track Review Playing the 60s
by C. Michael Bailey
Published: January 19, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!