208

Come Sunday: Crosscurrents

C. Michael Bailey By

Sign in to view read count
Come Sunday: Crosscurrents American roots music can be divided into four broad genres: blues, jazz, country and gospel. A Venn diagram of the relationship of these four would reveal an area of intersection of all these musical elements. It is in this area that the jazz-gospel group Come Sunday achieves its durable yet delicate goal of divining these spirits in equal measure.

Come Sunday's name is derived from the Duke Ellington song of the same name, made famous in his collaboration with Mahalia Jackson on Black, Brown and Beige (Columbia, 1943). In the spirit of that collaboration, guitarist Mike Allemana conceived arrangements for the group's quartet of vocalists, further supported by bass and drums, bringing the entire group to the septet level.

Come Sunday's self produced debut, Crosscurrents, extends the metaphor of the title into the kinetic performance of the music. The book chosen for the group lends few surprises, but the performances are fresh and enjoyable, and most important, educational in their stimulating of further listening in a historic direction. "Keep Your Hand on the Plow" throws all the way back to the pioneering work of the Lomaxes in originally capturing this music in the 1930s and '40s.

"Jesus Gave Me Water," from the Soul Stirrers' songbook is performed sweetly with the great Sam Cooke in mind. Stevie Wonder's "Heaven is 10 Zillion Light Years Away" is one of the more contemporary songs treated by the group. The group's namesake tune and the standard "Deep River," allow Allemana to show his wares alongside these fine singers, creating an alchemic eutectic of serious spiritual gravity. These types of genre-mixing projects often result in hindered results. Not so here.

Track Listing: Keep Your Hand On The Plow; Jesus Gave Me Water; Trouble Of The World; Down By The Riverside; Come Sunday; Wade In The Water; Heaven Is 10 Zillion Light Years Away; I'm On My Way to Canaan's Land; Too Close To Heaven; The Christian Testimony; Just A Closer Walk With Thee; My Rock; Deep River.

Personnel: Bill Brickley, Lindsay Weinberg, Alton Smith, Sue Demel: vocals; Mike Allemana: guitars; Al Ehrich: bass; Lenny Marsh: drums.

Title: Crosscurrents | Year Released: 2011 | Record Label: Self Produced


Tags

Related Video

comments powered by Disqus

More Articles

Read Towards Language CD/LP/Track Review Towards Language
by John Eyles
Published: June 23, 2017
Read The Romeo and Juliet Project CD/LP/Track Review The Romeo and Juliet Project
by Jack Bowers
Published: June 23, 2017
Read Saluting Sgt. Pepper CD/LP/Track Review Saluting Sgt. Pepper
by Roger Farbey
Published: June 23, 2017
Read Crystal Machine CD/LP/Track Review Crystal Machine
by Glenn Astarita
Published: June 23, 2017
Read Saluting Sgt. Pepper CD/LP/Track Review Saluting Sgt. Pepper
by Karl Ackermann
Published: June 22, 2017
Read Thick as Thieves CD/LP/Track Review Thick as Thieves
by Jack Bowers
Published: June 22, 2017
Read "Town And Country" CD/LP/Track Review Town And Country
by Jerome Wilson
Published: June 21, 2017
Read "The Behemoth" CD/LP/Track Review The Behemoth
by Roger Farbey
Published: March 11, 2017
Read "Extremophile" CD/LP/Track Review Extremophile
by John Eyles
Published: April 11, 2017
Read "The Book of Transfigurations" CD/LP/Track Review The Book of Transfigurations
by Hrayr Attarian
Published: May 8, 2017
Read "Cloud Illusions" CD/LP/Track Review Cloud Illusions
by Mark Sullivan
Published: September 7, 2016
Read "Aziza" CD/LP/Track Review Aziza
by Dan Bilawsky
Published: October 19, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.