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I wasn't so sure about this CD with it's countryish name and cover art. What has Ginger been up to since his pair of great CD's with Bill Frisell and Charlie Haden in '94 and '96? This CD is the answer and it has definitely been worth the wait! This CD wins my vote for not only the best CD of 1999 but for all of the 90's. It's that good. A good portion of the credit for this album goes to Ron Miles, a gifted trumpeter and arranger who penned the majority of the tunes on "Coward." Two of the eight are by Baker. It's a pretty standard band as a Quintet with Baker on Drums, Miles on trumpet, Fred Hess on Tenor, Artie Moore on Bass and Eric Gunnison on Piano. But then it stretches out into an Octet on several cuts with Shamie Royson on organ, Todd Ayers on guitar and Glenn Taylor on pedal steel. And just to make things interesting, James Carter on baritone joins them for several cuts, often venturing into free territory. The results are spectacular. Like all great jazz you can't pin it down to one thing, but the wonderful synergy of the band and the material is mind blowing. Shoot, I just don't have words for this music, and even trying to describe the tracks wouldn't do them justice. Swinging, driving, rocking, mellow, intense, melodic, beautiful. Unlike so much of jazz today, that feels like a rehash of the past, this CD has a totally modern feel to it while staying firmly rooted in the improvisational tradition. No one holds back. James Carter plays with soul and abandon. The quiet moments as on "Coward of the County" and "Jesus, I Just Want to Go to Sleep" are sublime. "Ginger Spice" just cooks and "Jesus Loves Me" (no, not the old hymn) has more time signatures and changes than any piece of music you've heard. "Daylight" is terrifying, awesome. If this CD doesn't win a grammy and the Downbeat reader's and critic's poll, I'm going on a hunger strike. Long live Ginger Baker and the DJQ2O!!!
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...