105

Keith Yaun Quintet: Countersink

Glenn Astarita By

Sign in to view read count
This is a good debut effort from Boston, MA based guitarist Keith Yaun. Backed by a band that includes Mat Maneri; violin, John Lockwood; bass: Nathan Cook; tenor sax and Johnny McLellan drums, Yaun displays seasoned bandleading skills not to mention impressive chops.

For several years, Boston has been a Mecca for avant-garde and free improvised music. Witness saxophonist Joe Maneri’s recent recordings for ECM, Leo and Hatology records. The re-emergence of saxophonist Mark Whitecage and Mat Maneri’s (Joe Maneri’s son) recording endeavors with pianist Matthew Shipp and guitarist Joe Morris. Other than New York and Chicago, Boston has resurfaced as a hot bed for improvised-free music while cultivating renewed interest and fertility in a scene that traditionally, has seen more productivity within various European factions. “Countersink” is slightly more structured than one would immediately assume; however, these compositions serve as vehicles for a hefty dose of improvisation and inventive dialogue among the band members. Yaun is clearly the traffic cop here and does a splendid job of administering the pace and direction of the Quintet. Yaun’s original composition “Heavy Hand of Love” emits the feel of a rocky relationship between lovers. Yaun’ s clever use of volume control is a nice compliment to Maneri’s colorful yet intriguing violin improvisations. Tenor saxophonist Nathan Cook is a perfect foil for Maneri and Yaun. His deep tone and articulate improvisational ability serves as a perfect match for this band. On “Heavy Hand of Love”, the rhythm section of Lockwood and McLellan engage in some call and response segments while sustaining the often sinewy rhythmic structure. “Runup#1” is an exhaustive burner. Yaun, Maneri and Cook workout some difficult unison runs supplemented by Yaun’s well-stated guitar solo. “Collide” is drummer Johnny McLellan’s original composition which is an open ended conversation piece that contains plenty of dialogue and communication. Here, the guys stretch out a bit and eventually re-convene to restate the themes. A sense of space prevails which also adds to the sense of depth. The final cut, McLellan’s “Countersink” is a slow bluesy piece, which features soulful walking bass lines alternating with odd meter rhythmic excursions. On this cut Yaun extends himself with stinging lead guitar work and crafty phrasing.

“Countersink” is a fine effort and should open a few more doors for guitarist Keith Yaun. Thankfully, Leo Feigin of Leo Lab records continues his successful track record of identifying and producing talent that deserves wider recognition. Recommended.

| Record Label: Leo Records | Style: Modern Jazz


Shop

CD/LP/Track Review
Read more articles

More Articles

Read The Sound of Surprise: Live at the Side Door CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read The Angel and the Brute Sing Songs of Rapture CD/LP/Track Review The Angel and the Brute Sing Songs of Rapture
by Karl Ackermann
Published: February 25, 2017
Read Coldest Second Yesterday CD/LP/Track Review Coldest Second Yesterday
by John Sharpe
Published: February 25, 2017
Read Chicago II CD/LP/Track Review Chicago II
by Doug Collette
Published: February 25, 2017
Read Follow Your Heart CD/LP/Track Review Follow Your Heart
by Mark Corroto
Published: February 25, 2017
Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read "New World" CD/LP/Track Review New World
by Bruce Lindsay
Published: March 12, 2016
Read "Ullr" CD/LP/Track Review Ullr
by Mark Corroto
Published: February 8, 2017
Read "Piano Song" CD/LP/Track Review Piano Song
by Jakob Baekgaard
Published: January 2, 2017
Read "Sanguinaria (Hopeful Songs)" CD/LP/Track Review Sanguinaria (Hopeful Songs)
by Roger Farbey
Published: January 24, 2017
Read "A Night Walking Through Mirrors" CD/LP/Track Review A Night Walking Through Mirrors
by Karl Ackermann
Published: February 11, 2017
Read "Funk 'n' Feathers" CD/LP/Track Review Funk 'n' Feathers
by Chris M. Slawecki
Published: August 7, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!