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McCoy Tyner has basically been making the same insanely luscious and gorgeously dense modal music for nearly 40 years now. Which means that Counterpoints , which consists of five unreleased live tracks from a 1978 Tokyo concert (others were issued in 1979 on the currently unavailable Passion Dance ), is unlikely to offer anything new to anybody who's got more than a passing familiarity with the legendary pianist's work.
That said, the sound is clear, Tyner is in excellent form and the trio, with Ron Carter on bass and Tony Williams on drums, could scarcely be hardier. Packing two solo cuts ("Sama Layuca" and "Aisha") and a Tyner-Carter duet ("Prelude to a Kiss") between extended opening and closing trio tracks, the disc would serve well as a Tyner sampler for the uninitiated, while for the fanatic there's "Iki Masho (Let's Go)," the previously unreleased Tyner composition which closes the record. For the rest of usas good as Counterpoints isit's just one more disc to put on the shelf.
Track Listing: 1 The Greeting 11:30;
2 Aisha 7:08;
3 Sama Layuca 6:38;
4 Prelude to a Kiss 9:20;
5 Iki Masho (Let's Go) 13:58.
Personnel: McCoy Tyner: Piano;
Tony Williams: Drums;
Ron Carter: Bass.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.