All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

268

Charlie Hunter Trio: Copperopolis

By

Sign in to view read count
Eight-string guitar whiz Charlie Hunter has done some especially interesting work recently—his Groundtruther experiments with percussionist Bobby Previte explored the limits of outside studio improvisation while his playing in the collective band Garage à Trois dug deep into New Orleans third-line groove and stacked rhythms. As good as those projects were, it's nice to see Hunter return to his main gig, the Charlie Hunter Trio, whose last CD, Friends Seen and Unseen (Ropeadope, 2004), seemed to set a standard for groove-based guitar trio interplay.

No disrespect to Friends Seen and Unseen, but Hunter's new trio disc pretty much leaves it in the shade. While there's no change in personnel—the group still consists of Hunter, tenor saxman John Ellis and drummer Derrek Phillips—there have been considerable changes within that lineup. Ellis still plays tenor and a bit of bass clarinet in the group, but now he's playing lots of Wurlitzer and melodica, often combined with tenor in the same song. It's hard to overstate the expansion of the group sound this creates—a saxophone can't really comp alongside a guitar. Ellis' Wurlitzer can, and does, which provides another layer of event to the music. (Previously, even with Hunter's vaunted simultaneous-bass line eight-string playing, things sometimes got a little thin in terms of group activity when Ellis laid out.)

Everything the group's doing now can be heard in the album opener, "Cueball Bobbin'. Copperopolis is being heralded as Hunter's "rock album, and the intro, with Hunter's electric wail, Ellis' Wurli skronk and almost-violent Phillips drumrolls could vibrate a sport arena pretty effectively—but here and everywhere else on the CD, the bombast is strained through Hunter's playful bong-hit affability and his total lack of pomposity. The rest of "Cueball Bobbin' consists a hard rock guitar riff accompanied by Ellis' Wurli comp groove over Phillips' stutter-step drum bludgeon; this part pivots around a time-stopping unison guitar/melodica phrase that somehow fuels the tune's momentum while it momentarily stops the time. Hunter's guitar solo here has plenty of liquid shred, but it's no more engaging than Phillips' brawny wallop, locked in as it is to Hunter's own bass line. Hunter seems to have intentionally reduced the complexity of his bass parts, eschewing virtuosity in favor of maximum deep-pocket fusion with Phillips.

There's not too much sax on that one, but barnburners like "Swamba Redux" and "Blue Sock" feature Ellis' snaky, almost alto-ish tenor to stunning effect. "The Pursuit Package is a two-minute John-Bonham-Meets-Link-Wray teaser that crashes into the goofily lilting "A Street Fight Could Break Out, with near-perfect Wurlitzer comping that slots between the spaces in Hunter's lines, all over a groove made somehow more menacing by its sheer slowness. Ellis' melodica solo steals the show , though.

The trio's interplay and chemistry here seem worlds beyond the same band recorded on Friends Seen and Unseen two years ago. That makes this a very good time to get out and see this band play.

Visit Charlie Hunter on the web.


Track Listing: Cueball Bobbin'; Frontman; Swamba Redux; Copperopolis; Blue Sock; The Pursuit Package; A Street Fight Could Break Out; Drop the Rock; Think of One.

Personnel: Charlie Hunter: eight-string guitar; John Ellis: tenor saxophone, bass clarinet, Wurlitzer, melodica; Derrek Phillips: drums.

Title: Copperopolis | Year Released: 2006

Tags

comments powered by Disqus

Related Articles

Read Passion Reverence Transcendence CD/LP/Track Review
Passion Reverence Transcendence
by Mike Jurkovic
Published: August 17, 2018
Read Inner Voice CD/LP/Track Review
Inner Voice
by Don Phipps
Published: August 17, 2018
Read Live In London Volume II CD/LP/Track Review
Live In London Volume II
by Roger Farbey
Published: August 17, 2018
Read The Literature CD/LP/Track Review
The Literature
by Jim Trageser
Published: August 17, 2018
Read Suite 150 / A Big Band Portrait CD/LP/Track Review
Suite 150 / A Big Band Portrait
by Jack Bowers
Published: August 16, 2018
Read Lost Days CD/LP/Track Review
Lost Days
by Don Phipps
Published: August 16, 2018
Read "Zero" CD/LP/Track Review Zero
by Karl Ackermann
Published: February 6, 2018
Read "Art Zoyd - 44 1⁄2 At A Glance: Selections from the Art Zoyd Box Set" CD/LP/Track Review Art Zoyd - 44 1⁄2 At A Glance: Selections from the...
by Mark Sullivan
Published: May 14, 2018
Read "The Invariant" CD/LP/Track Review The Invariant
by David Rocheleau-Houle
Published: December 22, 2017
Read "The Urmuz Epigrams" CD/LP/Track Review The Urmuz Epigrams
by Don Phipps
Published: April 9, 2018
Read "Bølge" CD/LP/Track Review Bølge
by Gareth Thompson
Published: June 12, 2018
Read "Araminta" CD/LP/Track Review Araminta
by Mark F. Turner
Published: October 4, 2017