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Tacoma, Washington-based saxophonist Cliff Colon takes his inspiration where he finds it. In the case of his debut CD, Contraband, the inspiration comes from music of the 1980's side-scrolling, run and gun, eight-bit video game called Contra, which seems an unlikely source.
But unlikely sources are pretty common in the jazz genreMiles Davis' reading of "Surrey with the Fringe on Top," taken from the Rodgers and Hammerstein musical, "Oklahoma," John Coltrane's classic take on "My Favorite Things," Sonny Rollins blowing "I'm An Old Cowhand," or, to bring things up to the present, Brad Mehldau's twenty-plus minute rendition of Soundgarden's "Black Hole Sun." The list goes onjazz artists grab their ideas from all over the place.
Colon has taken the soundtrack of the video game (tunes penned by Kyohei Sada and Hidenori Maezawa) and re-worked it into the jazz format with a high-energy sizzle of soundtwo blistering saxophones in front of a hot piano Rhodes/guitar/bass/drums rhythm.
A good portion of the disc fits the 'stamp the accelerator to floor' mode, beginning with the barn-burner, "Jungle." That gives way to a 'prowling the dark streets' vibe of "Base," featuring a couple of fiery and eloquent sax solos.
The music is inspired and modern-sounding from start to finish, with a highlight, "Snow Field," at nearly ten minutesthe longest cut on the disc. The tune builds a rather ominous ensemble momentum from a drifting rumble to a saxophone blow-fest that segues into a Rhodes piano rumination, then back to the edgy intricacies of the sax-led sound.
Cliff Colon's excellent recording debut, Contraband, comes out wailingfirst-rate jazz.
Track Listing: Intro; Jungle; Base; The Boss; Waterfall; Snow Field; Energy Zone; Alien Lair; End Credits.
Personnel: Cliff Colon: tenor sax; J. Charles: alto sax; Frank Seeberger: guitar; Eric Verlinde: Rhodes piano, Hammond organ; Chuck Kistler: bass; D'Vonne Lewis: drums.
Year Released: 2008
| Record Label: Hey Phil! Records
| Style: Modern Jazz
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.