Home » Jazz Articles » Album Review » Stan Kenton: Contemporary Concepts

291

Stan Kenton: Contemporary Concepts

By

Sign in to view read count
Stan Kenton: Contemporary Concepts
Here's your trivia question for today: Who was the third man to be elected to Downbeat Magazine's Hall of Fame, the year before Duke Ellington? You guessed right if you said Stan Kenton.

Contemporary Concepts was recorded in July of 1955, and it offers six standards arranged by Bill Holman and one by Gerry Mulligan. The Mulligan chart, "Limelight," is easily recognizable and prefigures his work for his Concert Jazz Band five years later.

There is no room for a canary on any of Holman's six works. In each case, the melody is strongly hinted at with brief passages quoted from time to time. The solos by Bill Perkins (particularly on "Yesterdays"), Charlie Mariano, Lennie Niehaus and Carl Fontana (among others) are uniformly excellent. (As I write, the world mourns the recent passing of Bill Perkins.) Most noteworthy, however, is the propulsion provided by the arrangements and by the drumming of Mel Lewis. This brassy, swinging sound was borrowed eleven years later by Buddy Rich's Pacific Jazz band.

Four bonus tracks are unnecessary but welcome additions. The first, "Sunset Tower," was arranged by Stan Kenton and is reminiscent of his forties sound. The liner notes call it a reworking of his 1950 "Something New." The final three tracks were arranged by Gene Roland in the attempt to provide Stan with a radio hit. The smooth sound of these is a clear forerunner of Henry Mancini's 1959 Peter Gunn soundtrack.

This is not an album for the casual listener. Holman's charts are too thought-provoking. But those who already consider themselves jazz fans – not to mention Kenton fans – will quite likely find Contemporary Concepts a delightful treat.

Track Listing

1. What's New 2. Stella By Starlight 3. I've Got You Under My Skin 4. Cherokee 5. Stompin' at the Savoy 6. Yesterdays 7. Limelight 8. Sunset Tower 9. Opus in Chartreuse 10. Opus in Turquoise 11. Opus in Beige

Personnel

Al Porcino, Sam Noto, Stu Williamson, Bob Clark (trumpets); Bob Fitzpatrick, Carl Fontana, Gus Chappell, Kent Larsen (trombones); Don Kelly (bass trombone); Bill Perkins, Dave Van Kriedt (tenor saxophones); Don Davidson (baritone saxophone); Stan Kenton (piano); Max Bennett (bass); Mel Lewis (drums).

Album information

Title: Contemporary Concepts | Year Released: 2003 | Record Label: Capitol Records

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

What Was Happening
Bobby Wellins Quartet
Laugh Ash
Ches Smith
A New Beat
Ulysses Owens, Jr. and Generation Y

Popular

Eagle's Point
Chris Potter
Light Streams
John Donegan - The Irish Sextet

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.