271

Nobu Stowe: Confusion Bleue

Budd Kopman By

Sign in to view read count
Pianist Nobu Stowe continues developing and honing his quest of "total improvisation" with the marvelous Confusion Bleue. The music hovers within the world of free jazz but almost always contains elements that imply structure, allowing the compositions to feel more or less anchored as time flows by.

Stowe's explorations are supported by many of the same musicians from his previous efforts, Hommage an Klaus Kinski (Soul Note, 2007) and the Brooklyn and New York Moments (Konnex, 2006). Sonic engineer Lee Pembleton's effects vary in audibility, but it feels as though he is always there, providing both specific manipulations and background sensory filler. Ross Bonadonna, Stowe's main protagonist, is particularly blazing on guitar, but also plays alto saxophone while providing intensity and extremely close counterpoint at every moment. Drummer Ray Sage only rarely sets up a regular pulse, but otherwise uses his drums and cymbals as another voice in the conversation. Rounding out the players is 5-string double bassist Tyler Goodwin, whose arco playing can be positively unearthly as he weaves around Bonadonna's guitar.

Besides grand piano, Stowe plays electric piano, glockenspiel and bells, sometimes within the same track, each of which changes the sonic palette. The movements and interludes are unpredictable in overall sound and emotional temperature. What is clearly audible, however, is how closely each member of the group is listening to everyone else and to the overall sound being produced.

The goal of "total improvisation" is strikingly reached not simply because frenetic, dense free sections dissolve at times into melodic lines or rhythmic or harmonic regularity, but rather that these extremes ultimately emerge as the end points of a range of expression. As Confusion Bleue progresses, the music creates its own world, eventually sounding completely natural and inevitable from moment to moment.

This natural suppleness is epitomized by the inclusion of "Blue in Green," Bill Evans' beautiful tune from Miles Davis' Kind of Blue (Columbia, 1959). The track is beautifully atmospheric and emerges as but one pole of many within this startlingly engrossing album.

Track Listing: Introduction; Premier Mouvement; Intermede I; Deuxieme Mouvement; Intermede II; Blue in Green; Troisieme Mouvement; Intermede III; Quatrieme Mouvement; Epilogue: Dans La Confusion Bleue.

Personnel: Nobu Stowe: grand piano, Wurlitzer electric piano, glockenspiel, nanbu-tetsu bell; Lee Pembleton: sound; Ross Bonadonna: electric guitar, acoustic guitar, alto saxophone; Tyler Goodwin: 5-string double-bass; Ray Sage: drums.

Title: Confusion Bleue | Year Released: 2010 | Record Label: Soul Note


Tags

comments powered by Disqus

More Articles

Read Harmony of Difference CD/LP/Track Review Harmony of Difference
by Phil Barnes
Published: October 18, 2017
Read No Answer CD/LP/Track Review No Answer
by Karl Ackermann
Published: October 18, 2017
Read Agrima CD/LP/Track Review Agrima
by Dan McClenaghan
Published: October 18, 2017
Read Bright Yellow with Bass CD/LP/Track Review Bright Yellow with Bass
by Glenn Astarita
Published: October 18, 2017
Read Kurrent CD/LP/Track Review Kurrent
by C. Andrew Hovan
Published: October 17, 2017
Read Duets CD/LP/Track Review Duets
by Jakob Baekgaard
Published: October 17, 2017
Read "The Magnificent Thad Jones" CD/LP/Track Review The Magnificent Thad Jones
by Greg Simmons
Published: November 10, 2016
Read "Reality" CD/LP/Track Review Reality
by Dan Bilawsky
Published: August 14, 2017
Read "No Mundo Dos Sons" CD/LP/Track Review No Mundo Dos Sons
by Harry S. Pariser
Published: October 12, 2017
Read "Elusive" CD/LP/Track Review Elusive
by Geno Thackara
Published: September 23, 2017
Read "Love Dance" CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read "Copenhagen Live 1964" CD/LP/Track Review Copenhagen Live 1964
by Mark Corroto
Published: May 30, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.