All About Jazz

Home » Articles » CD/LP/Track Review

538

Maria Schneider Orchestra: Concert in the Garden

Dan McClenaghan By

Sign in to view read count
Composer/arranger Maria Schneider, at the helm of her seventeen-piece orchestra, soars back and forth over the blurry line that separates classical music and jazz on Concert in the Garden , her first CD offering since 2000's Grammy-nominated Allegresse.

With Schneider's compositions, movement seems always a theme. From her gravity-defying "Hang Gliding" on Allegresse to her dance-inpired suite, "Three Romances" here, the composer is always pulling the listener into complex, swirling and majestic musical narratives. Dance inspires Schneider, and indeed her music evokes images of lithe women in flowing vestments, pirouetting, gliding gracefully in and out of swirling mists.

Jazz or classical? On these five fully developed pieces, the orchestra wraps itself around—in loving embrace—stunningly inpired solos by Ben Monder (guitar), Ingrid Jensen and Greg Gisbert (fluegelhorn), Rich Perry and Donny McCaslin (tenor sax), Frank Kimbrough (piano), Charles Pillow (soprano sax), and Larry Farrell (trombone). Improvisation or written out notes from Schneider's pen? The guess here is they're written out with latitude allowed. With classical music, it's all about the composer; with jazz, its more about the instrumentalists. There's just too much personality in every solo here to think they are completely scripted; but then they all fit so seamlessly into the greater whole it's hard to believe it's total improvisation. Not that it matters. What we end up with is the depth and grandeur of the classical side entwined with the spirit and fire of jazz.

Donny McCaslin's tenor sax sears the air in front of a gentle rise and fall of orchestral surge on "Buleria, Solea Y Rumba"; while Ingrid Jensen's fluegelhorn does a willowy dance with Charles Pillow's soprano sax on "Pas De Deux"; and Ben Monder's guitar solo on the opener/title tune is absolutely arresting, luminous, with its ringing keyboard-like chording leading into a spare set of succinct single notes that introduce Frank Kimbrough's piano solo.

I hesitate to single anyone out on such a collective effort, but Kimbrough is a major factor in the success here. I've listened to his sound on Ben Allison's discs—eg. Buzz (Palmetto, '04)—and thought him a real talent, but his work here is truly inspired, with transcendent ideas flowing from his keyboard on three separate solo slots; and you've got to think that the dancer in Maria Schneider is taking him by the hand and leading him onto different level of musicality.

Schneider incorporates the accordion of Gary Versace here, prominently, on the title tune, and the cajon—the box-like flamenco percussion instrument—on the closer, "Buleria, Solea Y Rumba," with magnificent results, adding the flavors of Spain and, more prominently, Brazil into her sound.

A hugely ambitious, completely successful and stunningly beautiful effort, Concert in the Garden is absolutely indispensible to anyone interested in orchestral jazz or jazz-infused classical sounds.

Visit Maria Schneider at www.mariaschneider.com

Track Listing: Concert in the Garden, Three Romances: part 1--Choro Dancado; part 2--Pas De Deux; part 3--Danca Ilusoria; Buleria, Solea Y Rumba

Personnel: Tim Ries, Charles Pillow, Rich Perry, Donny McCaslin, Scott Robinson--reeds; Tony Kadleck, Greg Gisbert, Laurie Frink, Ingrid Jensen--trumpet and fluegelhorn; Keith O'Quinn, Rock Ciccarone, Larry Farrell, Pete McGuinness--trombone; George Flynn--bass trombone and contrabass trombone; Ben Monder--guitar; Frank Kimbrough--piano; Jay Anderson--bass; Clarenece Penn--drums; Jeff Ballard--cajon and quinto cajon; Gonzalo Grau--cajon; Gary Versace--accordion; Luciana Sousa--voice, Andy Middleton--tenor sax

Title: Concert in the Garden | Year Released: 2004 | Record Label: Artist Share

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Related Articles

Read For You CD/LP/Track Review
For You
by Patrick Burnette
Published: November 12, 2018
Read Espace Cardin 1977 CD/LP/Track Review
Espace Cardin 1977
by Karl Ackermann
Published: November 12, 2018
Read Song of No Regrets CD/LP/Track Review
Song of No Regrets
by Peter Hoetjes
Published: November 12, 2018
Read Ay  Que Boogaloo! CD/LP/Track Review
Ay Que Boogaloo!
by Chris M. Slawecki
Published: November 12, 2018
Read When Sunny Gets Blue: Spring ’68 Sessions CD/LP/Track Review
When Sunny Gets Blue: Spring ’68 Sessions
by Roger Farbey
Published: November 12, 2018
Read Lake Geneva CD/LP/Track Review
Lake Geneva
by Dan Bilawsky
Published: November 11, 2018
Read "Journey to Knowhere" CD/LP/Track Review Journey to Knowhere
by Jack Bowers
Published: April 28, 2018
Read "When Day Slips Into Night" CD/LP/Track Review When Day Slips Into Night
by Jack Bowers
Published: October 3, 2018
Read "Triad" CD/LP/Track Review Triad
by Mark Corroto
Published: June 23, 2018
Read "If Not Now, When?" CD/LP/Track Review If Not Now, When?
by Dan Bilawsky
Published: May 25, 2018
Read "Plight & Premonition / Flux & Mutability" CD/LP/Track Review Plight & Premonition / Flux & Mutability
by Geno Thackara
Published: July 10, 2018
Read "The Literature" CD/LP/Track Review The Literature
by Jim Trageser
Published: August 17, 2018