Mark Weinstein's Con Alma is a delightful collection of Latin styled tunes featuring the light and refreshing sound of jazz flute. From bassist Santi Debriano''s opening "Santi's Africaleidescope" through to the closing standard "Stella by Starlight," the combo creates a constantly catchy Latin groove, establishing a foundation for the light flittering sounds of Weinstein's flute. Although Weinstein and his sidemen contribute three of the eleven tunes, the remaining eight are arrangements of standards by well-known members of the jazz pantheon.
Dizzy Gillespie's title track well demonstrates the fusion of Afro-Cuban music and jazz for which the legendary trumpeter was known. The 32-bar form of the tune consists of a simple, almost single note head contrasted with a swinging bridge that returns again to the Latin groove. Mark Levine's piano solo flows in a straightforward and uncomplicated manner, while Weinstein demonstrates he has no lack of chops with his deft technique.
Cuban flautist Maraca's "Monte Adentro" is of interest, not only for the rarely heard bass and alto flutes Weinstein employs, but because, through overdubbing, Weinstein is effectively featured in duet with himself. The technical wizardry does not overshadow another delightful solo by Levine and a demonstration of Weinstein's range of artistry. Drummer Mauricio Herrera also is featured on an extended solo over the groove of the piano montuno that leads back to Weinstein's "duet" head.
John Coltrane's "Crescent" is of particular note, beginning with a free form collective improvisation that snaps into a nice danzon groove to present the tune's head. The piano, bass and drums pick up the pace to set the stage for Weinstein's inventive improvisation, followed by another flowing solo from Levine. After a brief segue into another free section the group returns to the same slow groove to again play the head.
Con Alma is a delightthe recording is high quality, the performances first rate on a nice collection of Latin-inspired jazz.
Track Listing: Santi's Africaleidescope; Broadway Local; Con Alma; Crescent; Fee Fi Fo Fum; Evidence; La Coneja Loca; Gotcha; Soul-Leo; Monte Adentro; Stella by Starlight.
Personnel: Mark Weinstein: flutes; Mark Levine: piano; Santi Debriano: bass; Mauricio Herrera: drums; Pedrito Martinez: congas.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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