374

Claudio Roditi: Simpatico & The Mastery of Passion

By

Sign in to view read count








Claudio Roditi

Simpatico

Resonance

2009


Harry Simon

The Mastery of Passion

Resonance

2009


Claudio Roditi, along with Michael Brecker, was a "special guest" on two LPs the young keyboardist Harris Simon made for producer George Klabin at the end of the '70s. Klabin must have liked what he heard in the Brazilian trumpeter/flugelhornist for a couple years ago Roditi did his first recording as a leader for Klabin's Resonance label, Brazilliance x 4, followed now by Simpatico, Roditi's first CD of exclusively his own works. As those familiar with Roditi's playing might expect, his compositions are tuneful, the faster ones catchy and bright, the ballads endearing and lyrical.

Simpatico mixes uptempos, ballads and blues, as well as personnel. At the core behind Roditi are drummer Duduka Da Fonseca, electric bassist John Lee and pianist Helio Alves. Joining them on various tracks is trombonist Michael Dease or guitarist Romero Lubambo. With Trio da Paz members Da Fonseca and Lubambo, plus the leader and fellow Rio native Alves on board, a samba/bossa vibe is prominent as expected. But this isn't merely another Brazilian jazz album; it's more expansive than that. For one thing, Roditi expands his instrument range, tackling that difficult mini-horn the piccolo trumpet on "Piccolo Blues," conjuring shades of King Oliver by playing it, in a quartet setting sans samba beats, with a wah-wah mute. The other blues, "Blues for Ronni," steps out in an Art Blakey blues-march mode, trombone and trumpet attacking the backbeat with rich solo flourishes and, after get-down piano and bass solos, spirited fours trades. Roditi's outgoing lyricism and warm flugelhorn tone come to the fore on the ballads, especially his captivating "Slow Fire," the one track burnished with a string arrangement by Kuno Schmid. And there's a wide variety in the samba/bossa selections too, from the intricate forms and harmonic changes in "Spring Samba" and "Slammin'" to the fleet fluidity of the guitar-driven "How Intensitive" and "Vida Nova."

The Mastery of Passion, by the aforementioned keyboardist Harris Simon and recorded in 1979-80, is a product of a time when jazz crossover was an attainable goal. Producers like Creed Taylor (CTI) were creating strong-selling albums, often by leavening their jazz with 'sweetening' plus smooth-flowing rhythms wafting on Caribbean breezes. One inspiration for these sessions may well have been the success of CTI's Deodato, a Brazilian jazz pianist whose recordings were outfitted with such orchestral decoration. "Wind Chant," the opening track of The Mastery of Passion, uses the Deodato blueprint of samba rhythms, voices, strings and swirling Fender Rhodes in a seductive mix sailed over by a young Michael Brecker's authoritative tenor sax. While some tracks verge toward the too-smooth, what distinguishes this album, besides the fine solos of Brecker, Roditi and, yes, Simon, is the high energy level and intoxicating rhythmic momentum of the best tracks.

Tracks and Personnel



Simpatico

Tracks: Spring Samba; Alfitude; Piccolo Blues; Slow Fire; How Intensitive; A Dream for Kristen; Alberto and Daisy; Blues for Ronni; Slammin'; Waltz for Joana; Vida Nova; Winter Dreams.

Personnel: Claudio Roditi: trumpet: flugelhorn; piccolo trumpet: vocals; Helio Alves: piano; John Lee: electric bass; Duduka da Fonseca: drums; Romero Lubambo: guitar; Michael Dease: trombone.



The Mastery of Passion

Tracks: Wild Chant; Swish; Midday Dreams; Factory; Don the Don; Stonehenge; Romance of Death; City Light; All Points South; Loufiana; Street Song.

Personnel: Harris Simon: piano: Fender Rhodes: harmonica; Michael Brecker: tenor sax; Claudio Rodidi: trumpet and flugelhorn; Bill Washer: Scott Hardy: guitar; Mike Richmond, Ratzo Harris: basses; Brian Blake, Portinho, Grady Tate, John Riley: drums; Andy Laverne: synthesizer; Joe Farrell: flute; Michael Urbaniak: violin; Guilherme Franco and Escola de Samba: percussion; Vocal Jazz: Inc.; Julliard Strings.

Tags

comments powered by Disqus

More Articles

Read Of Stories, Songs, and Self: Fred Hersch's Good Things Happen Slowly & Open Book Multiple Reviews Of Stories, Songs, and Self: Fred Hersch's Good Things...
by Dan Bilawsky
Published: August 21, 2017
Read The Art (de Vivre) of the Trio Multiple Reviews The Art (de Vivre) of the Trio
by Geno Thackara
Published: August 12, 2017
Read Sven-Åke Johansson's Blue For A Moment Multiple Reviews Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Published: August 2, 2017
Read Roots In The Green Mountains Multiple Reviews Roots In The Green Mountains
by Doug Collette
Published: July 29, 2017
Read Green Mountain Jazz Multiple Reviews Green Mountain Jazz
by Doug Collette
Published: July 24, 2017
Read Guitars on Three Continents Multiple Reviews Guitars on Three Continents
by Geno Thackara
Published: July 16, 2017
Read "Dan Phillips Returns To Chicago" Multiple Reviews Dan Phillips Returns To Chicago
by Mark Corroto
Published: February 21, 2017
Read "Pi Recordings 2016 Releases" Multiple Reviews Pi Recordings 2016 Releases
by Hrayr Attarian
Published: December 24, 2016
Read "Paul G. Smyth: Weekertoft downloads" Multiple Reviews Paul G. Smyth: Weekertoft downloads
by John Eyles
Published: September 24, 2016
Read "Weekertoft Hits Its Stride…" Multiple Reviews Weekertoft Hits Its Stride…
by John Eyles
Published: January 7, 2017
Read "Duke Ellington on Storyville Records" Multiple Reviews Duke Ellington on Storyville Records
by Chris Mosey
Published: March 20, 2017
Read "NendoDango Records: Reinventing Tradition" Multiple Reviews NendoDango Records: Reinventing Tradition
by Jakob Baekgaard
Published: December 6, 2016

Sponsor: JANA PROJECT | LEARN MORE  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.