314

John Abercrombie: Class Trip

Andrey Henkin By

Sign in to view read count
John Abercrombie: Class Trip When guitarist John Abercrombie connected with violinist Mark Feldman for Open Land (ECM, '99), he continued a tradition, albeit in an updated fashion, that stretched back to Reinhardt and Grappelli. Introducing drummer Joey Baron in to the fold for the followup, Cat n' Mouse (ECM, '02), continued the lineage down to the triumvirate of John McLaughlin, Jerry Goodman and Billy Cobham of the first incarnation of the Mahavishnu Orchestra. The new album by the quartet, rounded out once more by Marc Johnson on bass, has taken a step back, not towards the hot jazz of Reinhardt and Grappelli but towards some of Abercrombie's more reflective work during his thirty-year tenure with ECM.

Abercrombie has never really fit into the mold of his contemporaries, the George Benson School initially, and the Coryell fusion model subsequently. Perhaps it is his airy tone or his compositional style that shies away from strict forms. While he can play fast and even with rock-like abandon, his projects always have an amorphous quality to them that make everything he plays seem like suites rather than tunes. On Class Trip , eleven modest-length compositions make use of wonderful guitar-violin unison lines over expansive foundation of Baron and Johnson. Some may call Abercrombie a fusion guitarist, but this term is inaccurate. The fusion that is commonly derided is composed like a fast run through a series of sharp corners. Abercrombie's compositions are a stroll through a forest, one that can have a thunderstorm or two, but rarely presents the same scene twice.

Some may prefer an edgier Abercrombie; that is what his live performances are for. July's mini-stand at Birdland was an opportunity to play some older compositions and expand upon them mellifluously and with humor. His albums rather are carefully sculpted affairs that present his sparse sketches to the listener, with a sense of just being born and with room to adapt. Some of the pieces on Class Trip —the title track, the opening "Dansir" and the album's highlight, "Swirls"—will no doubt become much more than originally envisioned. Abercrombie uses the ethereality of the ECM tradition as a path towards more freedom instead of as an inhibitor.


Track Listing: 1 Dansir 9:31 2 Risky Business 7:38 3 Descending Grace 8:56 4 Illinoise 5:35 5 Cat Walk 7:55 6 Excuse My Shoes 8:28 7 Swirls 6:06 8 Jack and Betty 3:39 9 Class Trip 7:29 10 Soldier's Song 3:02 11 Epilogue 3:37

Personnel: John Abercrombie: Guitar; Joey Baron: Drums; Mark Feldman: Violin; Marc Johnson: Double Bass.

Year Released: 2004 | Record Label: ECM Records | Style: Modern Jazz


Shop

More Articles

Read The Sound of Surprise: Live at the Side Door CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read The Angel and the Brute Sing Songs of Rapture CD/LP/Track Review The Angel and the Brute Sing Songs of Rapture
by Karl Ackermann
Published: February 25, 2017
Read Coldest Second Yesterday CD/LP/Track Review Coldest Second Yesterday
by John Sharpe
Published: February 25, 2017
Read Chicago II CD/LP/Track Review Chicago II
by Doug Collette
Published: February 25, 2017
Read Follow Your Heart CD/LP/Track Review Follow Your Heart
by Mark Corroto
Published: February 25, 2017
Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read "For The Unknown" CD/LP/Track Review For The Unknown
by Mark Sullivan
Published: April 19, 2016
Read "Unspoken" CD/LP/Track Review Unspoken
by Andrew Luhn
Published: October 9, 2016
Read "Ubuntu" CD/LP/Track Review Ubuntu
by James Nadal
Published: September 8, 2016
Read "The Linda Sessions" CD/LP/Track Review The Linda Sessions
by Dan McClenaghan
Published: April 30, 2016
Read "Dogs" CD/LP/Track Review Dogs
by Doug Collette
Published: February 28, 2016
Read "Some Other Time" CD/LP/Track Review Some Other Time
by Karl Ackermann
Published: July 21, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!